Titlebook: Aesthetics of Universal Knowledge; Simon Schaffer,John Tresch,Pasquale Gagliardi Book 2017 Fondazione Giorgio Cini onlus 2017 art.universa

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Coordinate

Introduction,ed, a map at the scale of the territory, the unlikely taxonomy of a Chinese encyclopedia, the curators of a library of all possible books, and an alternative world accessible through traces. Contributors refer to these stories, debating the relation between schemes that aim to assemble universal kno

Deduct

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Architects of Knowledgeng. Spaces were conceived in which to store these collections, to organize them, to make them accessible and intelligible. The spatial organization of universal knowledge may be fruitfully examined through the comparison of two figures. Patrick Geddes (1854–1932), a Scottish naturalist, general thin

急急忙忙

Pictorialism (Prelude and Fugue)Mountain, an underground data-prison, promising to digitize a fraction of the collection and restrict access to the rest. This was not a . with established routines of picture trafficking, but a continuation of the cultural commerce of Otto Bettmann himself. This chapter juxtaposes the career of the

fatty-acids

The Unending Quantity of Objects: An Observation on Museums and Their Presentation Modests through their preservation and arrangement. However, new technologies of exhibition and museological display go a step further and find a different solution. They categorize this quantity, but present it to the gaze of the viewer as an endless row without hierarchy. They represent the quantity it

為敵

Cosmopragmatics and Petabytesligious studies, but cosmograms also appear within the sciences. I will first offer a handful of examples to flesh out the idea of . or cosmograms in use. I’ll then consider examples from the nineteenth century, an age of utopias and media revolutions. Finally, I will raise some current questions co

煩躁的女人

Gaia or Knowledge without Sphereseverything in its proper order, and provide the whole picture. The obsession with spheres has nothing to do with practice. So why do we keep thinking of knowledge as a sphere? Is there a way to get rid of the sphere as a basic model of understanding? I’ll make three points in this chapter: one about

清澈

Mapping Dark Matter and the Venice Paradoxs parallels with paradoxes that have long defined Venice. The dark matter map, in bringing into visibility that which was previously invisible, seems to have forced a reconfiguration of thought and knowledge very like that brought about in Venice by the publication of Luca Paciolo’s mathematical enc

歌劇等

The Web, Google, and Cosmograms of the process. This chapter looks at the way that the Web, the Internet, and the connected and networked world create a new, different and interesting model for knowledge. I’m going to discuss how Google works, what it does. In the early days of the web, only rudimentary search engines were availa