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Titlebook: Aesthetics and the Iconoclasm of Contemporary Art; Pictures Without a W ?arko Pai? Book 2021 The Author(s), under exclusive license to Spri

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樓主: children
31#
發(fā)表于 2025-3-26 21:45:34 | 只看該作者
Book 2021t of the metaphysics of the beautiful and the sublime but rather thru close connection to the?techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the?body?in space and time of digital technologies, along with other issues in visual studies and?image scienc
32#
發(fā)表于 2025-3-27 02:30:55 | 只看該作者
Garant für Authentizit?t und Glaubwürdigkeitenerates a picture of reality as the only true reality. The deconstruction of the image should only be conditional on being considered as a way of breaking down its ontological status in contemporary visual culture.
33#
發(fā)表于 2025-3-27 05:57:21 | 只看該作者
Corporate Language als Qualit?tsgarantn the technosphere takes over the aesthetic construction of new worlds, the age of the world picture disappears. What is left of art comes down to experimenting with the body as an artificial event of life.
34#
發(fā)表于 2025-3-27 12:27:04 | 只看該作者
35#
發(fā)表于 2025-3-27 17:04:14 | 只看該作者
The World Without a Picture: Avant-Garde and Iconoclasm,cture no longer emerges as a reflection or appearance of objectivity. The iconoclasm of the avant-garde appears not as a mere protest against the appearance of the human body from aesthetics due to the impossibility of portraying a human figure in a new image of reality by the invention of photograp
36#
發(fā)表于 2025-3-27 21:15:11 | 只看該作者
Deconstruction of the Image: From Mimesis and Representation to Communication,ernet), as an autopoietic visual system. In this way, the world is understood pre-ontologically. The picture of a man on the scene precedes speech and text. It is an information-communication circuit. So, it is no longer mimetic or reflecting reality, nor representing a changed reality, but rather g
37#
發(fā)表于 2025-3-28 00:46:40 | 只看該作者
38#
發(fā)表于 2025-3-28 04:48:14 | 只看該作者
39#
發(fā)表于 2025-3-28 07:36:28 | 只看該作者
Event of the Moment: Time in Contemporary Art,pecially his oil painting . in 1931, and the conceptual works of the German artist Hanne Darboven. The time of surrealistic painting and the time of conceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the disco
40#
發(fā)表于 2025-3-28 13:56:52 | 只看該作者
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