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樓主: 戲弄
11#
發(fā)表于 2025-3-23 11:54:46 | 只看該作者
12#
發(fā)表于 2025-3-23 16:25:01 | 只看該作者
13#
發(fā)表于 2025-3-23 19:01:20 | 只看該作者
14#
發(fā)表于 2025-3-24 00:49:23 | 只看該作者
15#
發(fā)表于 2025-3-24 05:54:09 | 只看該作者
Toxic Cyanobacteria in Florida Waters,limate change and financial turmoil? Why indulge in painting, poetry or music when lives and livelihoods are at stake? Can we really afford to entertain questions of taste while concrete political action is urgently required?
16#
發(fā)表于 2025-3-24 08:12:14 | 只看該作者
17#
發(fā)表于 2025-3-24 13:13:09 | 只看該作者
Florian Skopik,Thomas Bleier,Roman Fiedleriscuss and argue in the previous chapter, namely, that aesthetic sources are particularly suited to provide insight into a range of powerful and often seemingly contradictory emotions triggered by terrorism: fear of death and suffering, awe at the sheer magnitude of a traumatic event; anger at whoev
18#
發(fā)表于 2025-3-24 17:42:07 | 只看該作者
19#
發(fā)表于 2025-3-24 20:24:04 | 只看該作者
Case Study: Multi-national IT Company,pression, for him, was deeply entrenched in social customs and language. A more just and inclusive political order could not be ushered in overnight, especially not through a violent outburst of rage and rebellious energy. Waves of rising fists, flooding the streets of Paris, seemed visually and aco
20#
發(fā)表于 2025-3-25 02:29:57 | 只看該作者
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