Titlebook: Aesthetics and Neuroscience; Scientific and Artis Zo? Kapoula,Marine Vernet Book 2016 Springer International Publishing Switzerland 2016 Ne

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Spectating Myriam Gourfink’s Dances; Transdisciplinary ExplorationsThis article presents a singular research process immersed in Myriam Gourfink’s choreographic research, at the crossroads of cognitive science, aesthetics and practice. This research is part of Labodanse, a transdisciplinarity research project in dance, cognitive neuroscience and new technologies.

PANIC

Discovery of Novel Coronaviruses in Rodents in this chapter. They justify the presence of artistic works for cultural and educational purposes, addressed to all audiences. We present a few examples taken from the activities of a European vocation institution dedicated to these purposes.

ACRID

https://doi.org/10.1007/978-1-4615-5331-1ransformed it into duration and given it a direction. Experimentation, perception and intuition make it relative, even evanescent. Only art can act on it to give it responsibilities or to turn over it, which is what Olga Kisseleva does in her works of art.

悠然

Book 2016s including, but not limited to, mathematics and creator algorithms, neurosciences of artistic creativity, paintings and dynamical systems as well as computational research for architecture. The international authorship is genuinely interdisciplinary and the target audience primarily comprises reade

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by experts in the field.Includes supplementary material: .This edited monograph provides a compelling analysis of the interplay between neuroscience and aesthetics. The book broaches a wide spectrum of topics including, but not limited to, mathematics and creator algorithms, neurosciences of artist

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Hubert Laude,Jean-Fran?ois Vautherottary sensory processes incorporated into multimodal conscious representation. This chapter will sketch the theoretical framework of heuresthaesia and detail some intuitive supports for this concept, leaving to future works the task of assessing its scientific validity.

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Joeri Kint,Helena Jane Maier,Erik Jagty evolution, neuroscience and art are deeply interlaced. The second part will focus on the effects of art observation on our brain activity. Lastly, the third part will emphasize how our mind-body interacts with artworks.