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Titlebook: Adventurous Women in Contemporary American Historical Fiction; Girls‘ Own Stories Jeannette King Book 2022 The Editor(s) (if applicable) an

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發(fā)表于 2025-3-21 18:38:58 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Adventurous Women in Contemporary American Historical Fiction
期刊簡稱Girls‘ Own Stories
影響因子2023Jeannette King
視頻videohttp://file.papertrans.cn/151/150407/150407.mp4
發(fā)行地址Explores the representation of female adventurers in contemporary historical fiction by women.Focuses on women’s adventures in the New World, across Canadian, American and Latin American works.Argues
圖書封面Titlebook: Adventurous Women in Contemporary American Historical Fiction; Girls‘ Own Stories Jeannette King Book 2022 The Editor(s) (if applicable) an
影響因子This book brings together for the first time nine groundbreaking historical novels by women from the United States, Canada and Latin America, united by their focus on female adventurers. These novels introduce the neglected women of history, real and imagined, who accompanied their menfolk to the New World, and enabled its settlement or colonisation. Familiar novelists include Isabel Allende, Audrey Thomas and Jane Smiley, but this book also introduces less familiar writers who have produced richly textured and densely historical novels. In addition to putting women back into history, these writers engage with the literature of the past, including the American canon of male fiction which dominated literary history before the intervention of feminist scholars. The book begins with an introduction to the history of historical fiction and provides a theoretical, historical and geographical context for the novels themselves.
Pindex Book 2022
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https://doi.org/10.1007/978-3-540-85255-1ners. It suggests the particular relevance of historical fiction to women writers, who have used it to contest ‘official’ versions of history and to restore women to their place in history. It goes on to outline how the different regions under consideration in this book—North America, Canada and Lat
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Wireless Networking for Control,women living in such situations. The novel demonstrates how much more than the usual domestic virtues were required for such a life, and how often women were expected to take on roles considered to be masculine in order to survive. Like Una, Lidie has to resort to cross-dressing, and the novel explo
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https://doi.org/10.1007/978-3-319-01131-8r, and particularly that of women, not touched upon by Crane, and suggests that courage is a virtue required of and demonstrated by many women in that situation. Although the issue of slavery is acknowledged to be a prime factor in the war, the novel suggests that the differences between North and S
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https://doi.org/10.1007/BFb0004431lonisation, suggesting how easily the colonised can become the coloniser. . uses a complex narrative structure to show the interaction of past and present, of the indigenous people and the incomers, and interweaves Celtic myth with that of the First Nations to explore the many meanings of being home
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https://doi.org/10.1007/BFb0004431ranslator for the Spanish Conquistadors. Setting the rich cultural traditions that Malinche was born into, with their roots in the natural world, against the militaristic world of the Conquistadors driven by a lust for gold, Esquivel shows this culture clash to also be a clash between patriarchal an
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