Titlebook: Advances in Integrated Optics; S. Martellucci,A. N. Chester,M. Bertolotti Book 1994 Plenum Press, New York 1994 Modulator.Sensor.analog.el

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Front Matterghlighted the question of the contingencies surrounding the production and presentation of a text, in that the advent of the Second World War made Woolf aware of the tenuousness, or contingency, of her own situation, as her lifestyle and reading public changed so suddenly. The . of art became the pr

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Introduction to Integrated Optics: Characterisation and Modelling of Optical Waveguides,er ‘outsider’s vision’ which enables her to see things ‘composed & in perspective’ (.2, p. 55). An outsider’s alienation is counterbalanced by his increased self-awareness; he can see the frame as well as the scene it encloses. The frames in Virginia Woolf’s writings encourage the reader to become a

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Introduction to Nonlinear Guided Waves,industry devoted to considering, analysing and interpreting her life in terms of her writings and her writings in terms of her life. This industry has grown so pervasive that it is quite difficult for a present-day student to consider the novels as free-standing works of literature, without referenc

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Nonlinear Optical Materials for Integrated Optics, is beyond my scope here to rehearse the wealth of critical studies, memoirs and fictional accounts of the Bloomsbury Group and the Harlem Renaissance. Rather, I wish to suggest how Bloomsbury and Harlem might be brought closer together in our minds, our scholarship and our classrooms, as placing th

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Advances in Semiconductor Integrated Optics,a finer and more adequate appraisal of Woolf’s short stories.. We saw that within the short story as conversation, the interplay between emotion, impersonality and proportion creates both tension and circulation, dissent and debate at a structural, thematic and metafictional level. Such a dynamic sp

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Silica-on Silicon Integrated Optics,on. As with those forebears, Woolf further obscures her by fictionalising her and by writing out her achievements. Woolf defines her by her beauty, and constructs her doubly as her own mother and as the generalised idealisation of the mother figure, ‘typical, universal, yet our own in particular’ (8

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Integrated Optics on Silicon: IOS Technologies,ng in the eternity of print’ (., p. 217). The blame on the market is more forthright: ‘To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heart-breaking task for men who know good writing fro

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