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Titlebook: Adapting Television and Literature; Blythe Worthy,Paul Sheehan Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive

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樓主: clannish
11#
發(fā)表于 2025-3-23 11:40:20 | 只看該作者
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發(fā)表于 2025-3-23 15:27:29 | 只看該作者
Tracing Trans/National/Textual Limits in Jane Campion’s ites, conservation of water and soil, cleaning the air pollution in urban areas, utilization of mulberry in producing renewable energy in the form of biodiesel. Similarly, there is the need to produce the identified and highly commercially valued pharmaceutical compounds of mulberry under laboratory
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發(fā)表于 2025-3-23 20:53:16 | 只看該作者
The Aesthetics of Television: Genre, Auteur, Canon978-3-642-18760-5
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發(fā)表于 2025-3-23 23:46:28 | 只看該作者
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發(fā)表于 2025-3-24 04:21:19 | 只看該作者
An Afterword: Adapting the Television of Television Studies978-1-4419-8204-9
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發(fā)表于 2025-3-24 09:47:30 | 只看該作者
Position, Velocity, and Time Solutions,h television studies and adaptation studies. Though they might use literary-television adaptations as objects of analysis, and even apply novel methodologies to study them, these broader areas of enquiry tend not to see adaptation as a productive field, output or process, in and of itself.
17#
發(fā)表于 2025-3-24 11:25:56 | 只看該作者
https://doi.org/10.1057/9781137283474ant roles in the stage play and its televisual transformation, this chapter identifies a process of commercialism and normalisation, defusing various provocative issues in the play and relocating them in the heteronormative rom-com genre. This chapter finds that the gradual sanitising of controversi
18#
發(fā)表于 2025-3-24 16:49:21 | 只看該作者
,Brennstoffemissionshandelsgesetz – BEHG,8) and . (2016–2019), Taveira introduces both scripted stand-up and the self-help book as ‘performative infidelities’ (Stam, 2017), literature worthy of study and adaptation that sprouts texts with their own extended, limitless afterlives.
19#
發(fā)表于 2025-3-24 19:51:27 | 只看該作者
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發(fā)表于 2025-3-24 23:39:26 | 只看該作者
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