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Titlebook: Adapting Television Drama; Theory and Industry Christopher Hogg Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Contemporary

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期刊全稱(chēng)Adapting Television Drama
期刊簡(jiǎn)稱(chēng)Theory and Industry
影響因子2023Christopher Hogg
視頻videohttp://file.papertrans.cn/145/144565/144565.mp4
發(fā)行地址Develops understanding of television drama adaptation as a unique production process.Examines the ‘a(chǎn)daptations’ of contemporary television drama production in their various forms.Explores the current
學(xué)科分類(lèi)Palgrave Studies in Adaptation and Visual Culture
圖書(shū)封面Titlebook: Adapting Television Drama; Theory and Industry Christopher Hogg Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Contemporary
影響因子This book explores adaptation in its various forms in contemporary television drama. It considers the mechanics of adaptation as an ever-more prevalent form of production, most notably in the reworking of literary sources for television. It also explores the broader process through which the television industry as a whole is currently making necessary adaptations in how it tells stories, especially in relation to important concerns of equality, diversity and inclusion. Offering and analysing 16 original interviews with leading British television producers, writers, directors, production designers, casting directors and actors, and with a particular focus on female and/or minority-ethnic industry perspectives, the book examines some of the key professional and creative approaches behind television adaptations today. The book connects these industry insights to the existing conceptual and critical frameworks of television studies and adaptation studies, illuminating the unique characteristics of television adaptation as a material mode of production, and revealing television itself as an inherently adaptive artform.? .
Pindex Book 2021
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Navigation: Science and Technologycers who have worked extensively on television adaptation projects, followed by an analysis of the key themes emerging from the interviews. For example: the importance of titles, producerly notions of “fidelity”, negotiating authorship within adaptation productions, and broader industry adaptations affecting television producers today.
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BDS/GPS Dual-Mode Software Receiverthnic perspectives. The interviews are followed by an analysis of the key themes emerging from the interviews. For example: casting for television adaptations, acting in television adaptations, and addressing inequalities, exclusions and intersectionality in the casting and performance of contemporary television drama.
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The Editor(s) (if applicable) and The Author(s) 2021
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