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Titlebook: Adapting Margaret Atwood; The Handmaid‘s Tale Shannon Wells-Lassagne,Fiona McMahon Book 2021 The Editor(s) (if applicable) and The Author(

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樓主: LANK
21#
發(fā)表于 2025-3-25 03:46:48 | 只看該作者
Book 2021r genre-bending fiction, essays, and poetry. However, a lesser-studied aspect of her work is Atwood’s role both as adaptor and as source for adaptation in media as varied as opera, television, film, or comic books. Recent critically acclaimed television adaptations of the novels .The Handmaid’s Tale
22#
發(fā)表于 2025-3-25 07:50:36 | 只看該作者
https://doi.org/10.1007/978-1-4757-3918-3 following a typological analysis of the functions of shallow focus that will be organized from the most common to the less frequent, and that will be divided into three parts devoted to the (de)construction of cinematic space, of memory, and of self.
23#
發(fā)表于 2025-3-25 13:35:37 | 只看該作者
24#
發(fā)表于 2025-3-25 17:46:54 | 只看該作者
25#
發(fā)表于 2025-3-25 21:54:22 | 只看該作者
26#
發(fā)表于 2025-3-26 03:19:04 | 只看該作者
27#
發(fā)表于 2025-3-26 04:18:18 | 只看該作者
28#
發(fā)表于 2025-3-26 08:43:27 | 只看該作者
BANK-Rechnungswesen in programmierter Form,throughout Atwood’s adaptations offers a tantalizing glimpse at how these retellings can be viewed as both adaptations and reappropriations of powerful meta-narratives surrounding authorship and the ownership of culture..Concepts of time, gender, authorship, and adaptation will be explored through a
29#
發(fā)表于 2025-3-26 13:40:30 | 只看該作者
Stefanie Burgmaier,Stefanie Hüthigeans “assimiler l’autre en soi” ?[integrating the other into onself]? (Desblache, ., 8)..Interestingly, the form of the three novels evokes the same complexity that characterizes the Crakers. At different formal levels, the trilogy is far from corresponding to an organic whole: it includes fragments
30#
發(fā)表于 2025-3-26 17:13:53 | 只看該作者
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