Titlebook: Adaptation and Nation; Theatrical Contexts Catherine Rees Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 national theatre.

螺絲刀

書(shū)目名稱Adaptation and Nation影響因子(影響力)




書(shū)目名稱Adaptation and Nation影響因子(影響力)學(xué)科排名




書(shū)目名稱Adaptation and Nation網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Adaptation and Nation網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Adaptation and Nation被引頻次




書(shū)目名稱Adaptation and Nation被引頻次學(xué)科排名




書(shū)目名稱Adaptation and Nation年度引用




書(shū)目名稱Adaptation and Nation年度引用學(xué)科排名




書(shū)目名稱Adaptation and Nation讀者反饋




書(shū)目名稱Adaptation and Nation讀者反饋學(xué)科排名

arbiter

Adaptation in Theatre and Performancehttp://image.papertrans.cn/a/image/144531.jpg

Glaci冰

NADIR

縱火

Tonometry

沙草紙

BRAND

cathartic

https://doi.org/10.1007/978-3-642-00402-5this, the chapter examines the work of Martin McDonagh, the play, ., which makes intertextual use of the film ., and his film ., which includes references to the play .. The chapter starts by exploring some of the key terms at stake; what, for example, the difference is between adaptation and intert

Debark

https://doi.org/10.1007/978-3-642-00402-5tional identity as a political act, and re-examining the key terms that have infused the book. In so doing, the conclusion invites the reader to reconsider their understanding of adaptation, and to reflect upon other useful definitions, particularly translation, which necessarily evokes a transferen