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Titlebook: Adaptation Before Cinema; Literary and Visual Lissette Lopez Szwydky,Glenn Jellenik Book 2023 The Editor(s) (if applicable) and The Author

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樓主: dentin
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發(fā)表于 2025-3-25 04:54:14 | 只看該作者
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發(fā)表于 2025-3-25 08:51:56 | 只看該作者
https://doi.org/10.1007/978-3-319-56093-9s show how intricately history and adaptation are intertwined in this drama. . offers a compelling example of pre-cinematic adaptation that prefigures significant contemporary trends in the field of adaptation studies and that testifies to the power of adaptation to shift our understanding of the past as well as our relation to history.
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發(fā)表于 2025-3-25 15:21:39 | 只看該作者
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發(fā)表于 2025-3-25 18:36:07 | 只看該作者
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發(fā)表于 2025-3-25 22:35:57 | 只看該作者
https://doi.org/10.1007/978-3-031-04968-2mporary media theorists how much twentieth- and twenty-first-century media forms and industry practices continue to be influenced not only by historical literary sources but also by early adaptation practices that predate film and other contemporary media. Attention to those older adaptations and ad
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發(fā)表于 2025-3-26 02:11:08 | 只看該作者
Bethany A. Teachman,Elise M. Clerkination, the patriarchal oppression of women, and more, throughout the nineteenth century. By tracing this “broader genealogy and legacy” (Kate Newell) of visual storytelling via adapted supplicatory iconographies across time, this analysis demonstrates their important socio-historic role in provoking
27#
發(fā)表于 2025-3-26 05:11:32 | 只看該作者
Stefan G. Hofmann,Michael W. Ottopopular literary genre to deliver revolutionary concepts to an audience that might otherwise not receive them. Despite being adaptations, as well as part of the cultural landscape since the late eighteenth century, not much attention has been paid to novelizations in adaptation studies (Linda Hutche
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發(fā)表于 2025-3-26 11:41:00 | 只看該作者
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發(fā)表于 2025-3-26 17:39:22 | 只看該作者
Craig N. Czyz,Morris E. Hartstein dialogue between the original work and antecedent adaptations, this chapter argues that this dialogue is additionally informed by individual actors, thus demonstrating that the contemporary pairing of Frankenstein’s monster and the vampire can be traced back to the first visual representation of th
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