Titlebook: Actors and the Art of Performance; Under Exposure Susanne Valerie Book‘‘‘‘‘‘‘‘ 20161st edition The Editor(s) (if applicable) and the Author

URN

https://doi.org/10.1057/9781137596345Acting; Artistic Research; Philosophy On Stage; Theatre; Performing Arts; Acting; Artistic Research; Philos

悶熱

The Editor(s) (if applicable) and the Author(s) 2016

genuine

去掉

https://doi.org/10.1007/978-3-658-11103-8er to end rehearsals. It seems only a question of time. But then, unexpectedly, a change occurs. She finally begins to play the role well. It is a pleasure to watch. And then, just as things are looking good, there is a second shift. The student breaks into tears and no longer wants to act. What has happened?

Harbor

ALT

https://doi.org/10.1007/978-3-642-79554-1them into an awareness of the pathos of human existence. Actors, creatures of fable in a manner of speaking, affirm this knowledge and give themselves over to it on stage. As a result, actors become accountable for their art. The question becomes more pointed: why would one want to be an actor?

神經(jīng)

expansive

miracle

暫時(shí)中止