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Titlebook: Acting Queer; Gender Dissidence an Conrad Alexandrowicz Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license

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樓主: incontestable
11#
發(fā)表于 2025-3-23 12:06:15 | 只看該作者
?But it is also an aid to practitioners who are seeking new theoretical and practical approaches to dealing with gender diversity in acting pedagogy.?.? ? ? ? ? ? ? ? ? ??.978-3-030-29320-8978-3-030-29318-5
12#
發(fā)表于 2025-3-23 16:34:45 | 只看該作者
https://doi.org/10.1007/978-3-030-29318-5Queer; Acting pedagogy; Performance; Gender dissidence; Actors; Discrimination; Sexual minorities; Transpho
13#
發(fā)表于 2025-3-23 21:18:49 | 只看該作者
978-3-030-29320-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
14#
發(fā)表于 2025-3-24 00:33:06 | 只看該作者
Comtes Argumente und Untersuchungen,He argues that, despite the social and legal gains made on behalf of various sexual minorities, discrimination with reference to gender dissident student actors is alive and well and operating in the training institutions that feed professional theatre, film, and television in Canada and the US.
15#
發(fā)表于 2025-3-24 02:36:22 | 只看該作者
The Waiting Room of the Academy,ding sex and gender unfolds. A number of gender-producing phenomena are considered, including the current North American fetish for using pink and blue to identify the sex of babies and young children, the ‘Princess’ phenomenon, the effects of video games, and the obsession with muscularity among young men.
16#
發(fā)表于 2025-3-24 10:26:41 | 只看該作者
17#
發(fā)表于 2025-3-24 11:51:48 | 只看該作者
Jonathan Price,Bede Mullens O.P. ‘masculine’ female, as well as the transgender subject, reiterating his commitment to support for gender non-conformity. This exploration is undertaken in reference to cultural objects, both ‘popular’ and ‘a(chǎn)vant-garde’ examples, as much as to scholarship.
18#
發(fā)表于 2025-3-24 16:11:00 | 只看該作者
19#
發(fā)表于 2025-3-24 19:41:02 | 只看該作者
20#
發(fā)表于 2025-3-25 00:49:08 | 只看該作者
https://doi.org/10.1007/978-1-4612-2996-4the representation of queer people on screen. He pays particular attention to the messages that Hollywood’s notorious homophobia—largely intact to this day—sends to young actors who aspire to find employment in professional film and television.
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