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Titlebook: A Social History of France 1780-1914; Second Edition Peter McPhee Textbook 2004Latest edition The Editor(s) (if applicable) and The Author(

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樓主
發(fā)表于 2025-3-21 16:27:21 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱A Social History of France 1780-1914
期刊簡(jiǎn)稱Second Edition
影響因子2023Peter McPhee
視頻videohttp://file.papertrans.cn/143/142206/142206.mp4
發(fā)行地址A new edition of an authoritative textbook. This second edition extends its chronological span from to cover the ‘long nineteenth century‘, making this the most up-to-date survey of French social hist
圖書(shū)封面Titlebook: A Social History of France 1780-1914; Second Edition Peter McPhee Textbook 2004Latest edition The Editor(s) (if applicable) and The Author(
影響因子This volume provides a lively and authoritative synthesis of recent work on the social history of France and is now thoroughly updated to cover the ‘long nineteenth century‘ from 1789-1914.Peter McPhee offers both a readable narrative and a distinctive, coherent argument about this remarkable century and explores key themes such as:.- peasant interaction with the environment.- the changing experience of work and leisure.- the nature of crime and protest.- changing demographic patterns and family structures.- the religious practices of workers and peasants.- the ideology and internal repercussions of colonisation..At the core of this social history is the exercise and experience of ‘social relations of power‘ - not only because in these years there were four periods of protracted upheaval, but also because the history of the workplace, of relations between women and men, adults and children, is all about human interaction..Stimulating and enjoyable to read, this indispensable introduction to nineteenth-century France will help readers to make sense of the often bewildering story of these years, while giving them a better understanding of what it meant to be an inhabitant of France d
Pindex Textbook 2004Latest edition
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:42:02 | 只看該作者
Angewandte Mathematik: Body and Souls and rentable villas. Among those it attracted was Claude Monet, who lived there from 1872 to 1878, and whose paintings were a personal response to the extraordinary spread of urban, industrial life..
板凳
發(fā)表于 2025-3-22 01:28:32 | 只看該作者
Kenneth Eriksson,Claes Johnson,Donald Estepinated by landed wealth and the aristocratic values it underpinned. As late as 1893, 56 per cent of deputies were nobles and wealthy bourgeois. The latter were from the wealthiest 3,000 families in France, with incomes above 100,000 francs..
地板
發(fā)表于 2025-3-22 08:05:15 | 只看該作者
,H?henlinien/Niveaufl?chen und der Gradient,nch people — not to mention those from other countries — had died in internal and external wars between 1792 and 1815: when the bloodshed finally abated, could the survivors only hope to reconstitute the essentials of daily life as they had been in the 1780s?
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發(fā)表于 2025-3-22 10:24:12 | 只看該作者
Angewandte Mathematik: Body and Soulasure of ‘rural’ would be communities of up to 10,000 people. While some small towns were essentially industrial, most were directly dependent on the rural economy. About one-tenth of the national population lived in these country towns. France was essentially a rural society..
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發(fā)表于 2025-3-22 14:15:20 | 只看該作者
Textbook 2004Latest editionong nineteenth century‘ from 1789-1914.Peter McPhee offers both a readable narrative and a distinctive, coherent argument about this remarkable century and explores key themes such as:.- peasant interaction with the environment.- the changing experience of work and leisure.- the nature of crime and
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發(fā)表于 2025-3-22 18:54:59 | 只看該作者
making this the most up-to-date survey of French social histThis volume provides a lively and authoritative synthesis of recent work on the social history of France and is now thoroughly updated to cover the ‘long nineteenth century‘ from 1789-1914.Peter McPhee offers both a readable narrative and a
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發(fā)表于 2025-3-22 22:22:03 | 只看該作者
Lorenz und das Wesentliche am Chaos*,linked the idea of a stable dynasty to images of Versailles, the Bourbon fleur-de-lis and a statue of Louis XIV. The serene power of Vernet’s imagery was a direct response to — but in sharp contrast with — the social and political context of 1846–7..
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