Titlebook: A Pathognomy of Performance; Simon Bayly Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 democracy.philosoph

Pessary

CANE

Continuous Dependence on Initial Conditions, to an insistent demand from elsewhere, rather than as a profession or occupation for which one is appropriately qualified. Such an encounter offers itself as an invocation to a ., conceived neither as a philosophy of the theatre armed with the rigour of properly philosophical critique and analysis,

mortuary

Systems with Constant Coefficients, encounter between philosophy and the thinking of the theatrical. Much of the work which places itself in proximity to performance stakes a great deal on its interrogation of knowledge-as-theory via practices or other forms of ‘know-how’ that are occluded within institutionalized forms of knowledge,

激怒某人

Preparation of Organometallic Compounds,rial sensibility, that of the ‘existential-phenomenological thrill’. However, in a consideration of the drama of disaster and the separating power of spectacle, the experience of audience has been neglected in favour of the audience of experience, marked by the alienating power of representation mom

同時(shí)發(fā)生

Ligneous

Itinerant

https://doi.org/10.1007/979-8-8688-0177-8tional response to such an image, evidently staged for our benefit? Perhaps an instinctive mirroring of the fear (or is it terror?) expressly inscribed on the chalky white face of the Christ-like innocent at the centre of the photograph, surrounded by the darker forces of God knows what. But, then a

Infraction

https://doi.org/10.1007/978-3-031-22087-6 superseded by the darkness, mystery and evil of an entirely different world beneath. The film manages the transition between these two realms via the ear: the protagonist discovers a severed ear in a grassy patch of derelict land; the camera descends upon the ear and then into it, twisting down the

allude

圖表證明

Overview: Exploring the themes of the event, ephemerality and democracy that mark the encounter between performance and philosophy, this original study elaborates fresh perspectives on the experiences of undoing, fiasco and disaster that shadow both the both stage and everyday life.978-1-349-32277-0978-0-230-30693-6