Titlebook: A New Guide to Italian Cinema; Carlo Celli,Marga Cottino-Jones Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 cinema

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書目名稱A New Guide to Italian Cinema影響因子(影響力)




書目名稱A New Guide to Italian Cinema影響因子(影響力)學(xué)科排名




書目名稱A New Guide to Italian Cinema網(wǎng)絡(luò)公開度




書目名稱A New Guide to Italian Cinema網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱A New Guide to Italian Cinema被引頻次




書目名稱A New Guide to Italian Cinema被引頻次學(xué)科排名




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書目名稱A New Guide to Italian Cinema讀者反饋




書目名稱A New Guide to Italian Cinema讀者反饋學(xué)科排名

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A New Guide to Italian Cinema978-0-230-60182-6Series ISSN 2635-2931 Series E-ISSN 2635-294X

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https://doi.org/10.1057/9780230601826cinema; film; society; World War II

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Front Matterin the creator: if the creature reveals itself to be monstrous, it is because the creator is essentially monstrous. The idea of monstrosity did not just limit itself to fabulous creatures, but, with the advent and establishment of the Industrial Revolution, with the 1789 Revolution in France, and wi

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Italy from Unification to World War I,l and personal vocation, including the most extensive exploration of female creativity in her fiction. It links these with her invocations of uncanny sympathetic communication and with her unprecedented expansion of the boundaries of realism. We already see this in ., where musical allusion dramatis

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World War II, mean not merely that certain ideas find expression in her fiction, or that her work reflects a particular philosophy, but that she uses her fiction as a means of thinking about philosophical and moral issues. Previous critical studies of the intellectual aspect of her fiction have tended to see her