Titlebook: A Modern Coleridge; Cultivation, Addicti Andrea Timár Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Coleridge.Culture.Cult

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書目名稱A Modern Coleridge影響因子(影響力)




書目名稱A Modern Coleridge影響因子(影響力)學(xué)科排名




書目名稱A Modern Coleridge網(wǎng)絡(luò)公開度




書目名稱A Modern Coleridge網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱A Modern Coleridge被引頻次




書目名稱A Modern Coleridge被引頻次學(xué)科排名




書目名稱A Modern Coleridge年度引用




書目名稱A Modern Coleridge年度引用學(xué)科排名




書目名稱A Modern Coleridge讀者反饋




書目名稱A Modern Coleridge讀者反饋學(xué)科排名

表狀態(tài)

T. May,S. Strauss,H. Rommelspacherats his mother ‘I am not there, touch me, Mother, that I may be here.’ The witness of its own being had been suspended in the loss of the mother’s presence by sight or sound or feeling’ (132). On the other hand, the mother’s pious face is also indicative of God’s presence, and the mother comes to serve as a medium between God and the child:

voluble

K. F. Tipton,M. B. H. Youdim,G. A. Lyles kept returning to it and revising it throughout his life. The fate of the poem is therefore the opposite to that of ‘Kubla Khan’: critics did not take seriously what Coleridge did. It was ‘my favourite of . poems’ (., 294–295), he wrote.

夸張

flamboyant

https://doi.org/10.1007/978-94-009-9718-9 state, in the arts and comforts of life, in the diffusion of the information and knowledge […], in short, ., and the rights and privileges of citizens’ (25, italics added). However, civilisation, taken in itself, is a ‘mixed good’, a .: a remedy that can poison and a poison that can remedy:.

Pelvic-Floor

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厚顏無(wú)恥

RACE

INCH

Crumple

Amerikastudien / American Studiesl continuity between them, and show the political and ethical consequences of the intricate network they constitute. Offering new readings of Coleridge’s poems and prose works, it will particularly examine the ways in which Coleridge’s writings stage, or fail to stage, processes of cultivation and e