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Titlebook: "Midsummer Night‘s Dream"; Roger Warren Textbook 1983Latest edition Macmillan Publishers Limited 1983 Britain.dream.history of literature.

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樓主: Withdrawal
21#
發(fā)表于 2025-3-25 07:00:47 | 只看該作者
“American Livestock, Now Slaves in Algiers” old Mendelssohn bosky dell tradition, producing . has become a problem again’ (., 5 June 1959). The problem was to find an alternative to the traditional approach which had prevailed for ‘a(chǎn) century or so’. This approach is usefully characterised in T. C. Kemp’s account of Michael Benthall’s 1949 St
22#
發(fā)表于 2025-3-25 11:12:39 | 只看該作者
23#
發(fā)表于 2025-3-25 12:41:40 | 只看該作者
American Slaves and African Mastershat force one to encounter the play as if for the first time’. He spoke for an even greater majority in hailing Peter Brook’s Stratford version seven years later as ‘a(chǎn) masterpiece’ (., 28 Aug. 1970); but because the production was so radical, it aroused fierce opposition as well as great enthusiasm.
24#
發(fā)表于 2025-3-25 17:09:50 | 只看該作者
25#
發(fā)表于 2025-3-25 22:38:21 | 只看該作者
26#
發(fā)表于 2025-3-26 01:48:36 | 只看該作者
27#
發(fā)表于 2025-3-26 07:04:37 | 只看該作者
American Shale Energy and the Global EconomyAs the lovers leave the wood, Bottom awakes. Like them, he is confused; but whereas they express their feelings in simple, lucid verse, his characteristically colloquial prose cannot (or does not) actually articulate what he remembers:
28#
發(fā)表于 2025-3-26 10:48:29 | 只看該作者
29#
發(fā)表于 2025-3-26 15:04:58 | 只看該作者
Conclusion: The Boomerang of Savagery,the wood. Helena knows that love does not depend on mere appearances —.— and that Demetrius ‘errs, doting on Hermia’s eyes’; but she has enough self-awareness to realise that she herself dotes on him for the same reason: ‘So I, admiring of his qualities’ [. i 230–1].
30#
發(fā)表于 2025-3-26 18:45:59 | 只看該作者
https://doi.org/10.1057/9781137463302s; and Oberon counters that by accusing her of causing Theseus to abandon his various other mistresses [. i 70–80]. This fairy king and queen are immediately established as powerful dramatic characters who have both human passions and more than human influence over the affections of other people.
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