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Titlebook: A History of East African Theatre, Volume 2; Central East Africa Jane Plastow Book 2021 The Editor(s) (if applicable) and The Author(s) 202

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發(fā)表于 2025-3-21 18:24:14 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱A History of East African Theatre, Volume 2
期刊簡稱Central East Africa
影響因子2023Jane Plastow
視頻videohttp://file.papertrans.cn/142/141132/141132.mp4
發(fā)行地址Plastow‘s second volume on East African theatre history.Covers numerous countries in central East Africa.Covers francophone theatre, British East African colonialism, and the post-colonial period
學(xué)科分類Transnational Theatre Histories
圖書封面Titlebook: A History of East African Theatre, Volume 2; Central East Africa Jane Plastow Book 2021 The Editor(s) (if applicable) and The Author(s) 202
影響因子.This second volume of .A History of East African Theatre. focuses on central East Africa; on Burundi, Kenya, Rwanda, Tanzania and Uganda. The first chapter is concerned with francophone theatres, comparatively studying work coming out of Burundi and Rwanda alongside a focus on French language theatre in Djibouti. The chapter is particularly concerned to explore how French and Belgian cultural policies impacted theatre during the colonial period and how the French ideas of .Francafrique. and promotion of elite, French language art have continued to resonate in the post-colonial present. Chapters Two and Three look comparatively at the rich theatre histories of Kenya, Tanzania and Uganda, and are divided between a study of British East African colonial impact and an analysis of the post-colonial period illustrating how divergent political thought and societal make-up led to exponential differentiation in national theatres. The final chapter, on Theatre for Development and related social action theatre, covers the whole East African region, offering the first ever historicised analysis of this mode of theatre making which, since the 1980s, has come to dominate funding and opportunity
Pindex Book 2021
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沙發(fā)
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A History of East African Theatre, Volume 2978-3-030-87731-6Series ISSN 2946-5893 Series E-ISSN 2946-5907
地板
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5#
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https://doi.org/10.1007/978-3-642-59535-6n historicised framework into which are interpolated a series of case studies of important movements, playwrights and theatrical ideas. The chapter illustrates how and why theatre-making thought and practice have diverged in these nations in the post-colonial period.
6#
發(fā)表于 2025-3-22 13:45:01 | 只看該作者
https://doi.org/10.1007/978-3-642-59535-6sensibility. It compares the Belgian colonial influence in then Ruanda-Urundi with that of the French in Djibouti, before going on to consider the significance of francophone cultural policies post-independence. The affects of internecine struggle between Hutu and Tutsi populations on cultural produ
7#
發(fā)表于 2025-3-22 19:41:57 | 只看該作者
https://doi.org/10.1007/978-3-642-59535-6 all affected the development of theatre in the colonial period. The significance of major colonial cultural policy shifts within this time period is assessed and the early theatre makers, their concerns and their theatrical forms discussed.
8#
發(fā)表于 2025-3-23 00:59:10 | 只看該作者
https://doi.org/10.1007/978-3-642-59535-6n historicised framework into which are interpolated a series of case studies of important movements, playwrights and theatrical ideas. The chapter illustrates how and why theatre-making thought and practice have diverged in these nations in the post-colonial period.
9#
發(fā)表于 2025-3-23 04:43:14 | 只看該作者
10#
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https://doi.org/10.1007/978-3-030-87731-6East Africa; Cross-border; Hybridity; Theatre History; African Theatre; Transnational; Francophone Theatre
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