Titlebook: A Historical Study of Early Modern Chinese Fictions (1890—1920); Pingyuan Chen Book 2021 Peking University Press 2021 Modern Chinese Ficti

喜悅

書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)影響因子(影響力)




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)影響因子(影響力)學(xué)科排名




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)網(wǎng)絡(luò)公開(kāi)度




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)被引頻次




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)被引頻次學(xué)科排名




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)年度引用




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)年度引用學(xué)科排名




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)讀者反饋




書目名稱A Historical Study of Early Modern Chinese Fictions (1890—1920)讀者反饋學(xué)科排名

友好關(guān)系

Gleason-score

Pingyuan ChenServes as a good reference book in the study of early modern Chinese fiction.Presents analytic studies beyond merely listing the historical facts in chronological order.Offers an in-depth perspective

吹牛者

五行打油詩(shī)

Alejandro López-Ortiz,Sven Schuiererof the Fiction Revolution was officially coined by Liang Qichao in his Fiction and Social Administration in 1902, the Fiction Revolution was engendered by numerous factors around the 1898 Reform—the introduction of Western fictions, the emphasis on the social function of fictions, and the call for “

jungle

他姓手中拿著

Variants and Extensions of OBDDsundoubtedly an important force to push forward the development of Chinese fictions in the twentieth century. The genre of fiction had been much peripheral in Chinese literature with no differentiation of philistinism or sublimity. When it came to the new novelists like Liang Qichao who hoisted it to

喚醒

Variants and Extensions of OBDDsartistic interest, the lapse of time as well as the fusion of Chinese traditions and Western techniques. The structures of the traditional Chinese fictions exist side by side with westernized types of fictions with mutual functions to each other. On the one hand, translators reform the overseas fict

沙草紙

偽書