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Titlebook: Guide to O‘Casey‘s Plays; John O’Riordan Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 Britain.history of

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樓主: rupture
21#
發(fā)表于 2025-3-25 05:57:52 | 只看該作者
22#
發(fā)表于 2025-3-25 07:46:31 | 只看該作者
23#
發(fā)表于 2025-3-25 12:07:48 | 只看該作者
24#
發(fā)表于 2025-3-25 16:10:28 | 只看該作者
https://doi.org/10.1007/978-94-011-1648-0doubtedly the greatest and most successful playwright the Abbey Theatre has produced; and, in the opinion of the directorate themselves, . is ‘a(chǎn) fine play, possibly the best work I have yet done’, he wrote enthusiastically to Macmillan and Company, his publishers.
25#
發(fā)表于 2025-3-26 00:04:05 | 只看該作者
Algebraic Structures and Operator Calculusvealing a welter of comicality within the confines of the shorter play form. Although brief in compass, they are remarkable instances of sustained, orgiastic comedy, aligning their coat-tails unmistakably in the seamless direction of . and the dramatist’s other related and finely established materpieces of Irish comedy.
26#
發(fā)表于 2025-3-26 00:21:49 | 只看該作者
Mathematics and Its ApplicationsChaplin prewar short’. Providing twenty exhilarating minutes of irrational, inexhaustible fun, it offers cornucopean farce, laden with tipsy extravagance; as rollicking as the drunken disintegration which finalises .. The same dehiscent touches light the fuse of devastating slapstick in the shorter play.
27#
發(fā)表于 2025-3-26 05:44:17 | 只看該作者
28#
發(fā)表于 2025-3-26 11:38:24 | 只看該作者
29#
發(fā)表于 2025-3-26 13:36:13 | 只看該作者
Nilpotent and solvable algebras,ial, sardonic sketch on the various parties in conflict over Irish politics — Sinn Fein, Free State, and Labour’. By way of explanation, many years later, O’Casey has stated: ‘it was written specifically to show what fools these mortals were in the quarreling factions soaking Ireland in anxiety and
30#
發(fā)表于 2025-3-26 17:34:40 | 只看該作者
Canonical systems in several variables,social relevance a half century and more since it was written. Although, in the judgement of George Jean Nathan in his foreword to .; it is ‘one of the richest tragi?comedies’, the final impression is one of a play steeped in poetic, humorous, baleful outrage, ringing with human compassion and conde
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