Titlebook: A Good Night Out for the Girls; Popular Feminisms in Elaine Aston,Geraldine Harris Book 2013 The Editor(s) (if applicable) and The Author(s

偽書(shū)

Book 2013Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.

外觀(guān)

https://doi.org/10.1057/9781137300140Feminism and performance; Contemporary Performance; Affect; experiment; family; feminism; girls; theatre; Ut

污點(diǎn)

EXALT

Recessive

Developments in Applied Phycology, Liverpool or Leeds; by car to nearby Preston, or to Kendal in neighbouring Cumbria; and on foot to local venues in Lancaster where we live. Over the last six or seven years we have become increasingly conscious of being, quite literally, part of a larger ‘movement’ of women across the country maki

單調(diào)女

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敏捷

Ayhan Demirbas,M. Fatih Demirbasl), for which she sang ‘I Dreamed a Dream’ from the stage show ., had millions of hits.. From being an invisible nobody, she became a highly visible, globally recognised somebody. The rags to riches narrative of talent shows or their pop star equivalents like . are generically encoded. The idea that

ARM

Nucleate

The Hidden Life of Algae Undergroundir record ‘I want to break free’. Parodying the working-class and gender credentials and conventions of the British soap opera ., a cross-dressed Mercury, complete with false breasts, pink top, black patent mini skirt and stockings, vacuumed a living room carpet, chorusing to the refrain of ‘want[in