Titlebook: A Corpus of Rembrandt Paintings; 1625–1631 J. Bruyn,B. Haak,E. Wetering Book 1982 Stichting Foundation Rembrandt Research Project MCMLXXXII

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LIMIT

J. Bruyn,B. Haak,E. WeteringThis Corpus gives a full overview of the paintings attributed to Rembrandt in the given time frame (1625-1631).All paintings from this time frame are extensively discussed and described by the leading

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Rembrandt Research Project Foundationhttp://image.papertrans.cn/a/image/140437.jpg

異端邪說(shuō)下

International Criminal Justice Seriese in mind. Our purpose has been to link Rembrandt’s paintings done during his Leiden years on the grounds of their points of agreement, and to separate the non-authentic from the authentic where the differences exceed the borderline of what may be plauibly considered the work of one artist. From thi

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https://doi.org/10.1007/978-94-6265-029-9layed a prominent role. They formed an essential and numerically important supplement to what a single author could know from personal acquaintance. Since then, engravings have lost their importance as primary documentation.

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Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers 1982

Cumulus

International Criminal Justice Serieson. In making this comparison, certain paintings can provide more or less well-documented initial points of reference; but these are not necessarily the most representative works, and the documentation, which is seldom conclusive, in fact serves mainly to confirm or bring precision to a connexion that has been arrived at in some other way.