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Titlebook: A Commentary on the Collected Plays of W. B. Yeats; A. Norman Jeffares,A. S. Knowland Textbook 1975Latest edition A. Norman Jeffares and A

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樓主: breath-focus
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發(fā)表于 2025-3-23 10:10:51 | 只看該作者
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發(fā)表于 2025-3-23 17:37:42 | 只看該作者
Kai Sipil?,Esa Kurkela,Yrj? SolantaustaThe play was first published in ., London, 1921; New York, 1921; and subsequently in ., London, 1923; New York, 1924 (repr. London, 1927); ., London, 1934; New York, 1935; ., London, 1952; New York, 1953 (repr. London, 1953, 1960, 1963, 1966).
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發(fā)表于 2025-3-23 19:53:51 | 只看該作者
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發(fā)表于 2025-3-23 22:29:48 | 只看該作者
Alexander M. Molchanov,Marina V. Siluyanovag apprenticeship to the craft of the playwright but also the special affection of a parent for the first-born. Even in 1923, when he had come to a just appreciation of its deficiencies, he said it gave him more pleasure in the memory than any of his plays (. vi).
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發(fā)表于 2025-3-24 05:18:42 | 只看該作者
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發(fā)表于 2025-3-24 07:18:53 | 只看該作者
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發(fā)表于 2025-3-24 14:24:32 | 只看該作者
Sunita Mahavar,Ankit Goyal,Boris V. Balakinthat Yeats began as a boy, possibly as early as 1885. In 1894 he wrote to his father that he was doing nothing but the play ., and by November of that year it appears to have been completed and about to be despatched to the publisher Elkin Matthews. By 1896 a version seems to have been ready for act
18#
發(fā)表于 2025-3-24 16:05:12 | 只看該作者
Beaugrain Doumongue,Karim Limam,Dany Ayiten and Stratford-upon-Avon, 1911 (1913); also ., Leipzig, 1913, and ., New York, 1921.) The cast was as follows: Musicians, Sara Allgood, Maire O’Neill, Brigid O’Dempsey; Fergus, an . man, Arthur Sinclair; Naisi, ., F. J. Fay; Deirdre, ., Miss Darragh; A Dark-faced Messenger, U. Wright; Conchubar, .,
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發(fā)表于 2025-3-24 22:46:27 | 只看該作者
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發(fā)表于 2025-3-25 01:40:38 | 只看該作者
https://doi.org/10.1007/978-981-19-6470-1 Lady Gregory’s . and is meant as an introduction to .’ (., .). Saul (. 50) points to an allied tale in the same volume, ‘The Championship of Ulster’, and also draws attention to the Middle English analogue, ., though there is no evidence to suggest that Yeats knew this poem.
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