Titlebook: A Cinema of Hopelessness; The Rhetoric of Rage Kendall R. Phillips Book 2021 The Author(s), under exclusive license to Springer Nature Swit

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https://doi.org/10.1007/978-3-030-74136-5Political Antipathy; Occupy Wall Street; COVID-19; Trump; Rage; Political Cinema; Hopelessness; Brexit

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The Author(s), under exclusive license to Springer Nature Switzerland AG 2021

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,“You Get What You Fucking Deserve”: , and the Fantasies of Refusal,978-981-16-6452-6

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A Certain Tendency in Post-Occupy Cinema: ,, ,, and ,confirmed this finding. This in turn implied that, contrary to any expectation, the mechanisms responsible for 2S-quenching were depressed, and invoked an explanation. In the experiments performed at SIN, on the other hand, the detection of long-lived 2S states was first based. on the detection of d

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Of Gods and Monsters: Grief, Betrayal, and Failure in the Marvel Cinematic Universe,t as receiving antennas, thereby becoming a main link in system susceptibility to radiated emissions. Power and signal cables also provide a coupling path for conducted EMI voltages and currents. In addition, cable routing usually finds a variety of cables bundled or harnessed together within a faci

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https://doi.org/10.1007/978-981-15-1724-2 the political and economic systems. The successful presidential campaign of Donald J. Trump is shown as exploiting these feelings. This chapter suggests the need to explore the way these feelings have circulated throughout popular cinema by tracing the affective echo of deep-seated political and cultural frustrations.