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Titlebook: Xiangsheng and the Emergence of Guo Degang in Contemporary China; Shenshen Cai,Emily Dunn Book 2020 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 16:29:22 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Xiangsheng and the Emergence of Guo Degang in Contemporary China
編輯Shenshen Cai,Emily Dunn
視頻videohttp://file.papertrans.cn/1061/1060164/1060164.mp4
概述Explores the Chinese folk art perfornance genre of Xiangsheng (cross talk).Considers how Chinese actor and comedian Guo Degang how revived interest in the Xiangsheng genre as a means of social critici
圖書封面Titlebook: Xiangsheng and the Emergence of Guo Degang in Contemporary China;  Shenshen Cai,Emily Dunn Book 2020 The Editor(s) (if applicable) and The
描述.This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950‘s saw the shift of xiangsheng ‘s social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means..
出版日期Book 2020
關(guān)鍵詞Xiangsheng and Politics in China; Guo Degang and Entertainment in China; The Deyun Club and Xiangsheng
版次1
doihttps://doi.org/10.1007/978-981-15-8116-8
isbn_softcover978-981-15-8118-2
isbn_ebook978-981-15-8116-8
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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沙發(fā)
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Xiangsheng and the Emergence of Guo Degang in Contemporary China978-981-15-8116-8
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https://doi.org/10.1007/978-981-15-8116-8Xiangsheng and Politics in China; Guo Degang and Entertainment in China; The Deyun Club and Xiangsheng
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Book 2020founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950‘s saw the shift of xiangsheng ‘s social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turnin
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發(fā)表于 2025-3-23 07:00:05 | 只看該作者
nterest in the Xiangsheng genre as a means of social critici.This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo D
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