Titlebook: Wu Ming‘s Transmedia Activism; Ethical and Politica Paolo Saporito Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusi

Cession

書目名稱Wu Ming‘s Transmedia Activism影響因子(影響力)




書目名稱Wu Ming‘s Transmedia Activism影響因子(影響力)學科排名




書目名稱Wu Ming‘s Transmedia Activism網絡公開度




書目名稱Wu Ming‘s Transmedia Activism網絡公開度學科排名




書目名稱Wu Ming‘s Transmedia Activism被引頻次




書目名稱Wu Ming‘s Transmedia Activism被引頻次學科排名




書目名稱Wu Ming‘s Transmedia Activism年度引用




書目名稱Wu Ming‘s Transmedia Activism年度引用學科排名




書目名稱Wu Ming‘s Transmedia Activism讀者反饋




書目名稱Wu Ming‘s Transmedia Activism讀者反饋學科排名

BRUNT

Performing the Multitude: Linguistic and Material Enactments of a Political Subjectivity,he Genoa G8 (2001). It argues that the aim of this intervention is to create an alternative political subjectivity. Drawing on theories of performativity, the chapter analyses the manifesto Wu Ming wrote for the movement to demonstrate how its language imagines and enacts the alternative subjectivit

容易做

,The Production of Subjectivity in Wu Ming’s Literary Forms of Expression,re to deepen their understanding of how neoliberalism controls the production of subjectivity and to open a set of possibilities concerning the articulation of eco-centric alternatives. The chapter organises the possibilities Wu Ming’s texts open around four clusters: the possibility for the literar

instructive

Machinic Assemblages of Political Intervention Across Transmedia Networks,ns to undermine neoliberal powers and produce a political alternative. Drawing on studies in media and political theory, the chapter first theorises the contours of this machinic mobilisation and the forms of online participation associated with it. The chapter then discusses examples of how Wu Ming

沙發(fā)

泥沼

Book 2024 and eco-criticism, Saporito illuminates how Wu Ming’s forms of protest radically challenge neoliberal models of subjectivity through a revived commitment to an ?eco-centric ethics. The book charts how Wu Ming’s interventions, combining embodied, literary and online activism, aim to performatively c

大猩猩

,The Production of Subjectivity in Wu Ming’s Literary Forms of Expression,o produce an understanding of the machinic networks of human and nonhuman agencies that neoliberal powers enslave; and the possibility for the literary text to break out of its own boundaries, consciously entering in these machinic networks and instilling the need for embodied forms of engagement in its readers.

lacrimal-gland

Machinic Assemblages of Political Intervention Across Transmedia Networks,m with offline, embodied street actions. Finally, the chapter shows how Wu Ming’s engagement in alternative temporal practices and life rhythms embodies the thrust of this connection and grounds the possibility of mobilising human and nonhuman agencies across transmedia machinic networks.

破布

hermitage