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Titlebook: Writing With An Accent; Contemporary Italian Edvige Giunta Book 2002 Palgrave Macmillan, a division of Nature America Inc. 2002 America.Ita

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發(fā)表于 2025-3-21 19:09:09 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Writing With An Accent
副標(biāo)題Contemporary Italian
編輯Edvige Giunta
視頻videohttp://file.papertrans.cn/1032/1031407/1031407.mp4
圖書(shū)封面Titlebook: Writing With An Accent; Contemporary Italian Edvige Giunta Book 2002 Palgrave Macmillan, a division of Nature America Inc. 2002 America.Ita
描述Mary Cappello, Louise DeSalvo, Sandra M. Gilbert, Maria Mazziotti Gillan, Carole Maso, Agnes Rossi. These are some of the best-known Italian American writers today. They are part of a literary tradition with mid-twentieth century roots that began to develop, in earnest, in the late 1970s and early 1980s. During those decades, a number of Italian American women, such as Helen Barolini, began to publish books that depicted their perspectives on life through the critical lenses of gender, class, and ethnicity. At the end of the twentieth century, this literature finally blossomed into a fully fledged cultural movement that also took into account issues of sexuality, age, illness, and familial and societal abuse. Writing with an Accent takes a look at this vibrant literary movement by discussing those first writers of the 1970s and 1980s as well as later authors. At the center of Edvige Giunta s Writing with an Accent is the literal notion of accent, the marker of linguistic and cultural difference that separates and identifies recent immigrants to the United States. In this study, an accent symbolically embodies the differences and creative strategies through which contemporary Italia
出版日期Book 2002
關(guān)鍵詞America; Italy; women; writing
版次1
doihttps://doi.org/10.1007/978-1-137-05049-6
isbn_softcover978-0-312-29469-4
isbn_ebook978-1-137-05049-6
copyrightPalgrave Macmillan, a division of Nature America Inc. 2002
The information of publication is updating

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Of Women, Writing, and Recognition, standing against a green and mountainous background. This unexpected gift came from a writer I had never heard of: Filoména Lo Curcio Stefanelli. She had read an article about my work on Italian American women writers that had just appeared in the . and felt compelled to write to me.. Writer, histo
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Speaking Through Silences, Writing Against Silence,roval translates into a stone-dead silence that we, her children, have learned to read quickly. It is a special brand of silence; it is the silence of words that remain unspoken but hang in the air, thick and substantial, drenched with meaning. It is a silence patiently cultivated within Southern It
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,“Spills of Mysterious Substances”,of the Madonna delle Lacrime of Syracuse (Sicily, not New York) hanging above her bed that my mother had given her, this was Emily’s first formal encounter with the mysteries of Catholicism. A few weeks into the school year, visible signs of devotion began to emerge, especially at dinnertime, when E
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Epilogue,like that of Maria Rosa, who left Sicily long ago and lives in Rome: For Sicilians, leaving the island is a form of migration and exile, even if one continues to live in Italy. We leave and take Sicily with us.
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Book 2002writers today. They are part of a literary tradition with mid-twentieth century roots that began to develop, in earnest, in the late 1970s and early 1980s. During those decades, a number of Italian American women, such as Helen Barolini, began to publish books that depicted their perspectives on lif
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