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Titlebook: Writing the Voice of Pleasure; Heterosexuality with Anne Callahan Book 2001 Anne Callahan 2001

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發(fā)表于 2025-3-21 17:15:25 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Writing the Voice of Pleasure
副標(biāo)題Heterosexuality with
編輯Anne Callahan
視頻videohttp://file.papertrans.cn/1032/1031403/1031403.mp4
圖書(shū)封面Titlebook: Writing the Voice of Pleasure; Heterosexuality with Anne Callahan Book 2001 Anne Callahan 2001
描述The Voice of Pleasure makes a persuasive and fascinating argument that the romantic couple of Western representation is not heterosexual. Nor is it homosexual. With insightful new readings of landmarks of Western culture from Tristan and Yseut to Seinfeld , Callahan demonstrates that the illusion of heterosexuality is created by a male artist‘s assumption of a feminine voice to express desire. Named the ‘troubadour effect‘ for the first time here, this tradition of male femininity in romantic writing results in a cultural model of desire best described as ‘heterosexuality without women.‘ The most compelling aspect of the book is its attention to the effect of this paradox on women writers. Illuminating her argument with striking examples from the ‘troubairitz‘ to Toni Morrison, the author shows how women writers inscribe their ‘vagabondage,‘ a term she coins to name the consequences of the ‘troubadour effect‘ for women‘s agency, as both writers and lovers.
出版日期Book 2001
版次1
doihttps://doi.org/10.1057/9780312299149
isbn_softcover978-1-349-38691-8
isbn_ebook978-0-312-29914-9
copyrightAnne Callahan 2001
The information of publication is updating

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Book 2001mosexual. With insightful new readings of landmarks of Western culture from Tristan and Yseut to Seinfeld , Callahan demonstrates that the illusion of heterosexuality is created by a male artist‘s assumption of a feminine voice to express desire. Named the ‘troubadour effect‘ for the first time here
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r is it homosexual. With insightful new readings of landmarks of Western culture from Tristan and Yseut to Seinfeld , Callahan demonstrates that the illusion of heterosexuality is created by a male artist‘s assumption of a feminine voice to express desire. Named the ‘troubadour effect‘ for the first
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The Foreign Policy Election That Wasn’tbe about terrorism; it was not. It was supposed to be about foreign policy; it was not. In fact, the 2008 election was eerily reminiscent of the Great Depressiondominated election of 1932 that saw Franklin D. Roosevelt’s ascension to the White House. The financial crisis that blossomed in October 20
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through to environments with minimal human interference (Lesslie RG, Taylor BG, Biol Conserv 32:309–333, 1985). This chapter considers the wilderness continuum concept which accounts for the degree to which a place is remote from and undisturbed by the influences of modern technological society, ac
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