Titlebook: Writing the Lives of Writers; Warwick Gould (Professor of English Literature),Th Book 1998 Palgrave Macmillan, a division of Macmillan Pub

潛移默化

Re-creating Chaucer, image. This is a given of biography, and can be illustrated by showing how, for six hundred years, my subject, Chaucer the man, has been re-created in images that are largely independent of the facts.

botany

,Writing Contexts in William Roper’s ,n the course of this reading, I will sketch the text’s relationship to a tradition of lives of More, to questions of the generic status of biography, and to the importance of framing and contexts to interpretation.

冷淡周邊

Emmenagogue

The Right to Privacy/The Will to Knowledge: Henry James and the Ethics of Biographical Enquiry,o doubt familiar to readers of such fictional texts as ‘The Aspern Papers’ (1888) and ‘The Figure in the Carpet’ (1896), or of his numerous critical commentaries on writers as diverse as Robert Louis Stevenson, George Sand, Gustave Flaubert, and Nathaniel Hawthorne. Yet in spite of the ubiquity of s

confide

Motilin

Morose

恭維

Terrace

Medicare

,Devilish Repressions: Bertrand Russell’s Use of Fiction as Autobiography, writer of fiction. Indeed, up until that point, he had not published any. The prize was awarded, rather, for his essays, his ., and his last major work of philosophy, . And yet, perhaps partly inspired by the award, Russell, within a year of winning it, devoted himself to writing short stories. The