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Titlebook: Writing and Producing Television Drama in Denmark; From The Kingdom to Eva Novrup Redvall Book 2013 Eva Novrup Redvall 2013 broadcasting.C

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發(fā)表于 2025-3-21 19:49:46 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Writing and Producing Television Drama in Denmark
副標(biāo)題From The Kingdom to
編輯Eva Novrup Redvall
視頻videohttp://file.papertrans.cn/1032/1031371/1031371.mp4
叢書名稱Palgrave Studies in Screenwriting
圖書封面Titlebook: Writing and Producing Television Drama in Denmark; From The Kingdom to  Eva Novrup Redvall Book 2013 Eva Novrup Redvall 2013 broadcasting.C
描述Offering unique insights into the writing and production of television drama series such as The Killing and Borgen, produced by DR, the Danish Broadcasting Corporation, Novrup Redvall explores the creative collaborations in writers‘ rooms and ‘production hotels‘ through detailed case studies of Denmark‘s public service production culture.
出版日期Book 2013
關(guān)鍵詞broadcasting; Case Studies; culture; drama; kingdom; knowledge; television; writing
版次1
doihttps://doi.org/10.1057/9781137288417
isbn_softcover978-1-349-44991-0
isbn_ebook978-1-137-28841-7Series ISSN 2731-4480 Series E-ISSN 2731-4499
issn_series 2731-4480
copyrightEva Novrup Redvall 2013
The information of publication is updating

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發(fā)表于 2025-3-21 20:38:33 | 只看該作者
978-1-349-44991-0Eva Novrup Redvall 2013
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發(fā)表于 2025-3-22 00:53:27 | 只看該作者
Writing and Producing Television Drama in Denmark978-1-137-28841-7Series ISSN 2731-4480 Series E-ISSN 2731-4499
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發(fā)表于 2025-3-22 06:29:09 | 只看該作者
Palgrave Studies in Screenwritinghttp://image.papertrans.cn/w/image/1031371.jpg
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2731-4480 sh Broadcasting Corporation, Novrup Redvall explores the creative collaborations in writers‘ rooms and ‘production hotels‘ through detailed case studies of Denmark‘s public service production culture.978-1-349-44991-0978-1-137-28841-7Series ISSN 2731-4480 Series E-ISSN 2731-4499
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發(fā)表于 2025-3-22 22:06:22 | 只看該作者
Changing Childhoods across Three Generations of Women,iences in one era is rarely the same in another era. In this chapter we focus on women’s childhoods in three historical generations. We have made the assumption that childhood is a gendered experience and of necessity we have chosen to focus upon the experiences of women. There were very few living
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