Titlebook: Writing and Performing Female Identity in Italian Culture; Virginia Picchietti,Laura A. Salsini Book 2017 The Editor(s) (if applicable) an

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冰雹

Space and Sexuation in the , Italian Female Narrativea Giaquinto, and Isabella Santacroce define female subjectivity against the backdrop of the family and within the sociocultural context of major European cities. Cucchiella focuses on such issues as the male-female relationship, the mother-daughter and father-daughter relationships, and violence aga

繼承人

儀式

未成熟

The Broken Language of High Poetry: Agency and Emotion in , by Vivian Lamarquerator. He pays particular attention to Lamarque’s manipulation of word and structure as a means of rebelling against gendered expectations and inscribing her identity on an individual as well as social plane.

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Re-appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiduccis voice to the female subject. This essay demonstrates how these artists take back or re-appropriate womanhood in order to imbue it with their own vision and display a concreteness that speaks to female experiences.

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Cytology

Mina: Narrative and Cinematic Spectacle of the Italian Woman of the 1960sntic self while mirroring the burgeoning sociocultural changes of postwar Italy. The uniqueness of Mina lies in the narrowness of her extraordinary cinematic experience and in the intermediality of her performance as an actor, a performance that fed on the parallel experiences of music and advertising, radio and television.

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