Titlebook: Writing Musical Theater; Allen Cohen,Steven L. Rosenhaus Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 opera.theatr

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書(shū)目名稱Writing Musical Theater影響因子(影響力)




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書(shū)目名稱Writing Musical Theater年度引用學(xué)科排名




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The Ideaon Irving’s . was for .; sometimes it is a painting, as Georges Seurat’s . was for .; and sometimes it is a poem, as Homer’s . and . were for .. The idea for a musical may also come from incidents in a real person’s life, as Eva Peron’s career inspired .; from historical events, as the history of Ja

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The Libretton called the .. (The Italian plural is ., but in English they are usually called librettos.) It is important to emphasize that the libretto is much more than just the dialogue; it also includes all of the stage directions and the descriptions of the sets. More important is that the libretto includes

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The Musicmaller units or ., which themselves can be broken down into their component sub-phrases. Subphrases can often be broken down into still smaller thematic units, all the way down to motifs. A ., or motive, can be described as a short thematic kernel. Usually it consists of a few notes in a particular

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Getting Startedic techniques and principles, the best way to learn to write musical theater is to ., and then to present what you have written to an audience of some kind. No book can provide a substitute for that, but in this part of the book we can help you get started. We will use a variant of the tutorial appr

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Writing the Scoreften so eager to get started on the songs that they don’t wait until this stage has been reached. But if you start writing songs at random before you have a relatively firm scenario, there is a good possibility that some or all of those songs will end up having to be either rewritten or cut. Sometim

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ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.978-1-349-73223-4978-1-137-04810-3

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The Musicic units, all the way down to motifs. A ., or motive, can be described as a short thematic kernel. Usually it consists of a few notes in a particular rhythm. Let’s look at the motivic construction of “Frère Jacques.”