Titlebook: World Literature and Ecology; The Aesthetics of Co Michael Niblett Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi

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Eulogy

The Commodity Frontier and Its Secret,ion of other concepts of the frontier (e.g. Anna Tsing, Michael Watts) and analyses the relationship between environment-making and narrative-making. The final section summarizes some of the typical features of frontier zones and sketches their implications for literary practice, paying particular attention to the category of irrealism.

Pedagogy

弓箭

Tremor

2634-6095 corpus of understudied and little known writing, including .Located at the intersection of world-literary studies and the environmental humanities, this book analyses how fiction and poetry respond to the ecological transformations entailed by?commodity frontiers. Examining the sugar, cacao, coal,

Temporal-Lobe

浮雕寶石

,Romance, Realism, Modernism: Frontier Forms in the Work of Rhys Davies and José Lins Do Rego,icantly, both writers problematize and complicate romantic conventions. Yet there is often a reconciliatory or nostalgic tenor to their fiction, which sees them reproduce elements of the frontier logic that they otherwise critique.

languid

Muffle

The Commodity Frontier and Its Secret,tics have encountered in trying to specify the life- and environment-making dynamics of frontier zones. Its first section examines “the commodity frontier” as it has been defined and used by geographer Jason W. Moore. My own use of “commodity frontier” is inspired by Moore, but the chapter also prov

漂泊

Fictions of Appropriation and the Nature of Frontier Romance,he late nineteenth century and its connection to imperialism. It then turns to consider several early romances of the South Wales coalfields, including Joseph Keating’s . (1917) and Irene Saunderson’s . (1910). The love affairs at the heart of these novels, I argue, rehearse in libidinal terms the a