找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Working Women on Screen; Paid Labour and Four Ellie Tomsett,Nathalie Weidhase,Poppy Wilde Book 2024 The Editor(s) (if applicable) and The A

[復(fù)制鏈接]
查看: 12354|回復(fù): 52
樓主
發(fā)表于 2025-3-21 19:42:48 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Working Women on Screen
副標(biāo)題Paid Labour and Four
編輯Ellie Tomsett,Nathalie Weidhase,Poppy Wilde
視頻videohttp://file.papertrans.cn/1031/1030971/1030971.mp4
概述Examines screen media representations of women’s participation in the contemporary labor market.Reviews issues that are deeply embedded in neoliberal conceptions of contemporary feminism.Analyzes repr
叢書名稱Palgrave Studies in (Re)Presenting Gender
圖書封面Titlebook: Working Women on Screen; Paid Labour and Four Ellie Tomsett,Nathalie Weidhase,Poppy Wilde Book 2024 The Editor(s) (if applicable) and The A
描述.Working Women on Screen: Paid Labour and Fourth Wave Feminism critically examines screen media representations of women’s participation in the contemporary labour market. The edited collection brings together contributions on Aesthetic Labour; Power, Politics, and Neoliberal Industries; and Sex, Sexuality, and Relationships..Within the context of fourth wave feminism, there has been a new proliferation in the global media landscape of representations of women’s paid labour. This has coincided with the development of critical and ideological issues surrounding intersectionality and culture wars, as well as the impacts of recessions, political upheavals, and pandemics. Workplace dynamics and post-#MeToo politics have led to the complexification of structures, oppressions and relationships that impact what women can do for money. As a result, the “working woman” is now a constant presence on our screens, though articulated in widely divergent ways. The chapters within this collection critique issues that are deeply embedded in neoliberal conceptions of contemporary feminism, such as aspects of “l(fā)ean-in” culture, structural oppression, and women’s experiences of the “glass ceiling” an
出版日期Book 2024
關(guān)鍵詞Media representation; Women on screen; Women and work on screen; Representation of working women; fourth
版次1
doihttps://doi.org/10.1007/978-3-031-49576-2
isbn_softcover978-3-031-49578-6
isbn_ebook978-3-031-49576-2Series ISSN 2662-9364 Series E-ISSN 2662-9372
issn_series 2662-9364
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

書目名稱Working Women on Screen影響因子(影響力)




書目名稱Working Women on Screen影響因子(影響力)學(xué)科排名




書目名稱Working Women on Screen網(wǎng)絡(luò)公開度




書目名稱Working Women on Screen網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Working Women on Screen被引頻次




書目名稱Working Women on Screen被引頻次學(xué)科排名




書目名稱Working Women on Screen年度引用




書目名稱Working Women on Screen年度引用學(xué)科排名




書目名稱Working Women on Screen讀者反饋




書目名稱Working Women on Screen讀者反饋學(xué)科排名




單選投票, 共有 0 人參與投票
 

0票 0%

Perfect with Aesthetics

 

0票 0%

Better Implies Difficulty

 

0票 0%

Good and Satisfactory

 

0票 0%

Adverse Performance

 

0票 0%

Disdainful Garbage

您所在的用戶組沒有投票權(quán)限
沙發(fā)
發(fā)表于 2025-3-21 22:59:29 | 只看該作者
板凳
發(fā)表于 2025-3-22 03:50:11 | 只看該作者
Selling Sunset… and My Postfeminist Sexual Capital: New Sexual Subjectivities in Reality TVed vision of the all-female group of elite agents. In the show, female power is located on the women’s bodies and the success of their private/professional lives. It is this interweaving of the public and intimate spheres that I focus on in this chapter, introducing the idea of “postfeminist sexual
地板
發(fā)表于 2025-3-22 07:21:42 | 只看該作者
“Millennial Dumplings” at Work: Women’s Emotional and Aesthetic Navigation of Creative Workplaces inative workforce, through the examination of two US comedy dramas . (2019–2021) and . (2020–). What is considered appropriate for women to look like, and how they are directed to manage their emotions is not without nuance when working in the cultural and creative industries (industries which often i
5#
發(fā)表于 2025-3-22 11:06:34 | 只看該作者
6#
發(fā)表于 2025-3-22 15:55:00 | 只看該作者
Recuperating Women’s Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal neoliberal imperatives. It interrogates a selection of case study examples of British television fictions of nursing from the 2010s that differently depict nurses’ experiences of managing and negotiating the dilemmas for women of doing care work in a neoliberalised National Health Service. It does
7#
發(fā)表于 2025-3-22 20:27:00 | 只看該作者
“I Am the Highest Paid Showrunner in Television!” Shonda Rhimes’ Work and Influence in the Media Indcontemporary moment, women working in television and film are fighting against many social injustices, and Rhimes, through her advocacy work, is a powerful ally in the fourth wave feminist movement. Actor Ellen Pompeo, who stars in Rhimes’ show ., is used as an example in the chapter to unearth the
8#
發(fā)表于 2025-3-23 00:42:41 | 只看該作者
9#
發(fā)表于 2025-3-23 04:19:20 | 只看該作者
10#
發(fā)表于 2025-3-23 08:41:07 | 只看該作者
“I Took a Dump on the Glass Ceiling”: ,, Incompetence, and Populist Political Cultureeason written and filmed during the Trump presidency. As the showrunners state, the aim of the show is to explore a political sensibility, rather than drawing explicit direct comparisons between Meyer and Trump. Selina Meyer stands in stark contrast to many of the other (post)feminist heroines of qu
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-6 10:09
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
柞水县| 灵石县| 泸溪县| 哈尔滨市| 吉林省| 错那县| 南开区| 盐源县| 鄂尔多斯市| 梓潼县| 特克斯县| 新乡县| 卫辉市| 广汉市| 靖西县| 万盛区| 岑巩县| 松潘县| 黄陵县| 托克逊县| 班戈县| 荣昌县| 丰县| 昆山市| 元谋县| 双城市| 咸阳市| 商水县| 桐庐县| 包头市| 大埔区| 朝阳市| 托克逊县| 兰西县| 南充市| 会泽县| 新疆| 苍溪县| 江华| 庆元县| 灌阳县|