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Titlebook: Wordsworth and the Poetry of Epitaphs; D. D. Devlin Book 1980 D. D. Devlin 1980 poetry.William Wordsworth.Wordsworth

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樓主: 萬圣節(jié)
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發(fā)表于 2025-3-23 12:48:22 | 只看該作者
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發(fā)表于 2025-3-23 14:02:02 | 只看該作者
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發(fā)表于 2025-3-23 21:56:37 | 只看該作者
D. D. Devlineometric conditions that emerge from the above analysis show roughly that the basic theorem holds when the approximate telluroid . used for the linearization has a maximum inclination of 60. with respect to the vertical and the coefficients of the first 12 degrees are also provided as data.
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發(fā)表于 2025-3-23 22:55:10 | 只看該作者
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發(fā)表于 2025-3-24 03:32:17 | 只看該作者
The Poem as Epitaph,of novelty to things of every day.”. In Chapter 22 Coleridge lists what he considers to be Wordsworth’s characteristic defects and excellences. These opposing lists are sometimes taken as the source of the “Two Voices” theory of Wordsworth’s poetry:
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發(fā)表于 2025-3-24 09:33:19 | 只看該作者
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發(fā)表于 2025-3-24 14:32:29 | 只看該作者
The Poet in Search of a Public,e considered the most suitable for poetry. The words were spoken some twenty or thirty years after Wordsworth’s death by an old man who had at one time been a gardener’s boy at Rydal Mount, and they were quoted in a paper read to the Wordsworth Society by H. D. Rawnsley in 1882.. They make clear, wi
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發(fā)表于 2025-3-24 15:56:41 | 只看該作者
The Poet in Search of a Poem,e subject as it is in Nature and in fact would be enough to make a poem, and that the poet “will feel that there is no necessity to trick out or elevate nature”; and at the same time he steadily saw the poet as artist and his poems as made things, the result of craft, workmanship and “l(fā)ong and deep
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發(fā)表于 2025-3-24 19:13:47 | 只看該作者
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發(fā)表于 2025-3-25 01:07:31 | 只看該作者
The Poet in Search of a Poem,te nature”; and at the same time he steadily saw the poet as artist and his poems as made things, the result of craft, workmanship and “l(fā)ong and deep thinking”. He saw little in recent literature to persuade him that the task of resolving such opposite views of poetry would be an easy one. “In historical terms,” say Professor Lindenberger,
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