Titlebook: Words, Music, and the Popular; Global Perspectives Thomas Gurke,Susan Winnett Book 2021 The Editor(s) (if applicable) and The Author(s), u

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Urgency

Mets552

JIBE

Words, Music, and the Popular978-3-030-85543-7Series ISSN 2946-5133 Series E-ISSN 2946-5141

AVID

2946-5133 anging landscape of popular studies.Examine the relation bet.Words, Music, and the Popular: Global Perspectives on Intermedial Relations.?.opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and m

里程碑

Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Partictrongly on physical presence and active participation. The seemingly unproblematic transmediation of such shows therefore provide an ideal case for the examination of the concept of transmedia performance.

起草

單調(diào)性

with Adorno down ,: Bob Dylan’s Transformative Electric Turnn straddling his folk and electric phase—“Blowing in the Wind” (1962) and “Like a Rolling Stone” (1965)—to illustrate how paying close attention to the musical and mediatic qualities of Dylan’s recordings might reveal certain complexities undetectable at the mere lyrical level.

TOM

William H. Gass and the (Un)popularity of Words as Musicide similar aspects of Edgar Allan Poe’s poetics, which Aldous Huxley once dismissed as too vulgar to be musical. Unlike Poe, Gass appears to avoid the danger of being remediated in popular songs and comics through his deliberate style, his undermining of subject matter, and the lack of a marketable mystery concerning his life.