找回密碼
 To register

QQ登錄

只需一步,快速開(kāi)始

掃一掃,訪問(wèn)微社區(qū)

打印 上一主題 下一主題

Titlebook: Women’s Poetry, Late Romantic to Late Victorian; Gender and Genre, 18 Isobel Armstrong (Professor of English),Virginia B Book 1999 Palgrave

[復(fù)制鏈接]
查看: 54906|回復(fù): 52
樓主
發(fā)表于 2025-3-21 17:45:18 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian
副標(biāo)題Gender and Genre, 18
編輯Isobel Armstrong (Professor of English),Virginia B
視頻videohttp://file.papertrans.cn/1031/1030633/1030633.mp4
圖書(shū)封面Titlebook: Women’s Poetry, Late Romantic to Late Victorian; Gender and Genre, 18 Isobel Armstrong (Professor of English),Virginia B Book 1999 Palgrave
描述The first collection to make a comprehensive study of nineteenth-century women‘s poetry from late Romantic to late Victorian ‘new woman‘ writers. Eighteen essays consider the gendered codes and genres developed by sophisticated poets. The feminine subject and marketing, a woman‘s tradition, lesbian desire, war, race, colonial experience, religion and science are themes of the collection, featuring, as well as the familiar Christina Rossetti and Elizabeth Barrett Browning, other poets such as ‘L.E.L.‘, Felicia Hemans, Amy Levy and Augusta Webster.
出版日期Book 1999
關(guān)鍵詞gender; poem; poet; poetics; poetry; Romanticism; women
版次1
doihttps://doi.org/10.1007/978-1-349-27021-7
isbn_softcover978-1-349-27023-1
isbn_ebook978-1-349-27021-7
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1999
The information of publication is updating

書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian影響因子(影響力)




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian被引頻次




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian被引頻次學(xué)科排名




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian年度引用




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian年度引用學(xué)科排名




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian讀者反饋




書(shū)目名稱(chēng)Women’s Poetry, Late Romantic to Late Victorian讀者反饋學(xué)科排名




單選投票, 共有 0 人參與投票
 

0票 0%

Perfect with Aesthetics

 

0票 0%

Better Implies Difficulty

 

0票 0%

Good and Satisfactory

 

0票 0%

Adverse Performance

 

0票 0%

Disdainful Garbage

您所在的用戶組沒(méi)有投票權(quán)限
沙發(fā)
發(fā)表于 2025-3-21 23:14:27 | 只看該作者
板凳
發(fā)表于 2025-3-22 03:59:49 | 只看該作者
Personifying the Poetess, or to reconsider the process of canonization itself. But in reclaiming a tradition of women poets, there is also the need to theorize and historicize a category that we assume to be self-evident: namely, the woman poet. It is a category that may be traced back to the nineteenth-century ‘Poetess’,
地板
發(fā)表于 2025-3-22 07:46:36 | 只看該作者
The Poet and the Profitstandard of living could she achieve? Was it possible to maintain a middle-class household on poetry writing alone? What were the most lucrative sources of income from poetry production, and how did financial considerations affect a poet’s literary decisions? To what extent might a woman poet partici
5#
發(fā)表于 2025-3-22 10:09:22 | 只看該作者
Bijoux Beyond Possessionto receive serious attention, the lot usually pooh-poohed in one glancing remark that resigns L.E.L. to butterflyland. So it is worthwhile to look at her poetry published in what would seem the most frivolous of gift books, the tiny ., to see what that poetry might teach the cynical critic in all of
6#
發(fā)表于 2025-3-22 15:50:02 | 只看該作者
7#
發(fā)表于 2025-3-22 19:55:45 | 只看該作者
‘I leave a page half-writ’Victorians, sex must yield stable, basic truths about ourselves, our identities. We, too, turn practices into narratives, transitory acts into whole truths. Foucault’s oft-discussed example, the creation of the homosexual as an essential, defined, limited — and, in a homophobic society, limiting — i
8#
發(fā)表于 2025-3-22 21:29:10 | 只看該作者
Amy Levyish life in Britain after emancipation. In the preface to his . (1992) Geoffrey Alderman identifies Levy as his precursor, who has pioneered the kind of ‘warts and all’ narrative of Anglo-Jewry he wants to construct.. Alderman conceives of his text as a break with previous studies, which, he claims,
9#
發(fā)表于 2025-3-23 03:26:07 | 只看該作者
Hearing her Own Voicenifiers, imbricated as they are with possibilities of insidious complicity with, or co-option by, the prevailing literary culture. In both cases the dominant and the resistant impulses tend to operate simultaneously in constructing the subject, rendering inconclusive any attempt at locating an unsul
10#
發(fā)表于 2025-3-23 09:18:06 | 只看該作者
Reviving Laurence Hopee named W. Francis Grahame. The letter concerned a woman named Violet Nicolson whom he had met — briefly, the previous summer — at one of Mrs Blanche Crackanthorpe’s London literary salons. The letter informed Hardy that Mrs Nicolson — better known to the world by her pseudonym, ‘Laurence Hope’ — ha
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛(ài)論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國(guó)際 ( 京公網(wǎng)安備110108008328) GMT+8, 2026-1-16 19:43
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
和静县| 新竹市| 鱼台县| 栾川县| 克东县| 三穗县| 新密市| 新沂市| 陵水| 崇州市| 灵川县| 定陶县| 土默特左旗| 绿春县| 崇阳县| 陆河县| 斗六市| 溧阳市| 榆林市| 通许县| 高州市| 海宁市| 中方县| 手游| 浑源县| 增城市| 康马县| 肇州县| 宾阳县| 邵武市| 建始县| 如东县| 东阳市| 香河县| 阿拉善盟| 浮山县| 南汇区| 英德市| 靖江市| 洮南市| 即墨市|