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Titlebook: Women, Science and Fiction; The Frankenstein Inh Debra Benita Shaw Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited

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發(fā)表于 2025-3-21 19:58:55 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Women, Science and Fiction
副標(biāo)題The Frankenstein Inh
編輯Debra Benita Shaw
視頻videohttp://file.papertrans.cn/1031/1030543/1030543.mp4
圖書封面Titlebook: Women, Science and Fiction; The Frankenstein Inh Debra Benita Shaw Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited
描述Since Mary Shelley drew inspiration for Frankenstein from the scientific speculations to which she attended as a ‘nearly silent listener‘ at the now famous chateau in Switzerland, many other women have been similarly motivated to produce works informed by scientific theory. Successive chapters trace the history of women‘s science fiction writing from the turn of the century to the early 1990s, analysing how women writers have utilised the genre to critique the ideology that informs what counts as scientific knowledge.
出版日期Book 2000
關(guān)鍵詞fiction; gender; women
版次1
doihttps://doi.org/10.1057/9780230287341
isbn_ebook978-0-230-28734-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
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Book 2000 the history of women‘s science fiction writing from the turn of the century to the early 1990s, analysing how women writers have utilised the genre to critique the ideology that informs what counts as scientific knowledge.
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發(fā)表于 2025-3-22 05:32:52 | 只看該作者
ters trace the history of women‘s science fiction writing from the turn of the century to the early 1990s, analysing how women writers have utilised the genre to critique the ideology that informs what counts as scientific knowledge.978-0-230-28734-1
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From Neva Boyd to Viola Spolin: How Social Group Work in 1920s’ Settlement Houses Defined Collectivese in the 1920s, Viola Spolin (the force behind the popularization of improvisation in US theatre). It further considers how Spolin’s reworking of Boyd’s ideas shaped the practices of 1960s’ companies, such as the Open Theater and the Living Theatre, which used improvisation as their primary means o
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Einleitung und Problemstellung,rkenbildung im Bekleidungseinzelhandel wie H&M und Zara haben mit ihren Marken bereits eine Monopolstellung in der Psyche des Verbrauchers erreicht.. Tr?ger der Markenbildung ist hierbei nicht ein Produkt, sondern die Einkaufsst?tte bzw. der Betriebstyp.
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