Titlebook: Women, Literature and Finance in Victorian Britain; Cultures of Investme Nancy Henry Book 2018 The Editor(s) (if applicable) and The Author

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Women, Literature and Finance in Victorian Britain978-3-319-94331-2Series ISSN 2946-5397 Series E-ISSN 2946-5400

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Conclusion,tors continued with authors such as E.M. Forster and Edith Wharton, who write about the . class in Britain and America, even as Modernist authors sought to distance themselves further than their Victorian predecessors from the business classes and the stock exchange.

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Palgrave Studies in Literature, Culture and Economicshttp://image.papertrans.cn/w/image/1030515.jpg

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Introduction,r was familiar to Victorians and widely represented in realist fiction. Both real and fictional women investors complicate models of separate gendered spheres. The history of women’s financial lives is as important as the romance or marriage plots through which their stories are usually told. These

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Women Investors in Fact,slation expanded opportunities for investing in publicly traded shares by limiting the liability of shareholders. The Married Women’s Property Acts of 1870 and 1882 brought married women into the market as independent investors. This chapter discusses patterns of women’s investments in government se

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Elizabeth Gaskell: Investment Cultures and Global Contexts,ation to the financial plots in ., ., ., ., . and .. Gaskell’s investments in docks, railways and real estate demonstrate that her critique of capitalism was complicated by the investments upon which she depended to support herself and her daughters. Shifting the critical and biographical focus away

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