Titlebook: Women‘s Writing in Colombia; An Alternative Histo Cherilyn Elston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Colombian

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Conclusion, the past by poststructuralism, the conclusion argues that these supposedly progressive frameworks actually erase the practice of feminism in other parts of the world. Elston reinforces her argument that feminism . Latin American and that alternative feminist genealogies can be uncovered in the cont

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Book 2016 feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-litera

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2945-6991 of close readings and analyses.Reconsiders the place of femi.Winner of the?Montserrat?Ordó?ez?Prize 2018.This book provides an original and exciting analysis of Colombian women’s writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surroundin

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,Introduction: Modernity’s Rebel Daughters,is alternative history challenges the teleological narratives that have constructed feminist theory and how Colombian women writers destabilize the critical trajectories of Latin American literary history.

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,Una voz antifeminista? María Mercedes Carranza, Public Intellectual and “Postmodern” Poet,p with the problematics of Colombian modernity in a context defined by political violence. Elston argues that the poet destabilizes critical trajectories through her endorsement of both Enlightenment values and their postmodern critiques.

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, in a Post-revolutionary Era: The Writings of Female Ex-combatants,g upon a growing body of feminist criticism of ., the chapter narrates an alternative history of Colombian . to demonstrate its continued importance in a post-revolutionary (although not post-conflict) situation.

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