Titlebook: Women in the Poetry of T.S. Eliot; Tony Pinkney Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 George Eliot

antenna

虛弱

填滿

FLASK

bleach

施加

Wrestling with the Devil of the Stairs: Early Poems to ,eney. In . the hero’s relish for his narrative of a man who murders his mistress and keeps her body in the bath spills over into the excited generalisation that . This claim may be turned back upon the poetry itself, for it will emerge that any Eliotic text has to, needs to, wants to, in one way or

FISC

Carving: Hulme, Pound, Stokes and Sweeney,m the academic career he was contemplating during his dreary residence at Oxford and towards close involvement with the artistic . in London. The story of Pound’s tireless propagandising on behalf of Eliot’s work is well known, but his benevolence veered alarmingly close to a domineering patronage.

countenance

finite

懦夫

Wrestling with the Devil of the Stairs: Early Poems to ,the case with .: Doris may have drawn ‘the COFFIN very last card’, but the text is unable to dispose of her decisively, and it accordingly gutters out into silence, being consigned by Eliot to that section of his . headed ‘Unfinished’.