Titlebook: Women in Medicine in Nineteenth-Century American Literature; From Poisoners to Do Sara L. Crosby Book 2018 The Editor(s) (if applicable) an

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Introduction: Making the Medicinal Poisoner,profession, was facilitated by a broader cultural change in metaphors: namely, in the figure of the poisonous woman. Historically, the specter of the poisonous woman has been used to exclude women and minorities from full citizenship, but democratizing reformers avoided reframing the dangerous figur

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,A Quarrel of Poisons: Harriet Beecher Stowe’s Homeopathic Poisoner,ave typically considered Stowe’s domesticity as central to her work, but Crosby uncovers how Stowe’s other vocation as a lay homeopathic physician enabled her transition into an activist author. The chapter details how a homeopathic theory of poison helped Stowe reconceptualize the female poisoner a

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,Playing Poison: Mary Webb’s Antidote to the Tom Shows,l “true crime” pamphlets and “Tom shows”—the wildly popular unauthorized dramatic adaptations of .—tried to squeeze Harriet Beecher Stowe’s medicinal poisoner back into old, misogynist, and racist frames, such as the Democratic poisoner. Crosby, however, observes that Stowe pushed back by partnering

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The Lady Doctor and the Vamp: How Louisa May Alcott, Theda Bara, and Thomas Dixon, Jr., Killed the nd the female vampire. The first supported an egalitarian and feminist version of the nation and the second was deployed to define American civilization as “Anglo-Saxon” and masculine. In this chapter, Crosby examines how writers like Louisa May Alcott, Sarah Orne Jewett, and Elizabeth Stuart Phelps

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