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Titlebook: Women in European Holocaust Films; Perpetrators, Victim Ingrid Lewis Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 represe

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發(fā)表于 2025-3-21 19:29:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Women in European Holocaust Films
副標(biāo)題Perpetrators, Victim
編輯Ingrid Lewis
視頻videohttp://file.papertrans.cn/1031/1030359/1030359.mp4
概述First study to address the representation and discursive construction of women in European Holocaust films.Provides a unique multidisciplinary perspective that contributes to European Film Studies, Ho
圖書(shū)封面Titlebook: Women in European Holocaust Films; Perpetrators, Victim Ingrid Lewis Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 represe
描述This book considers how women’s experiences have been treated in films dealing with Nazi persecution. Focusing on fiction films made in Europe between 1945 and the present, this study explores dominant discourses on and cinematic representation of women as perpetrators, victims and resisters. Ingrid Lewis contends that European Holocaust Cinema underwent a rich and complex trajectory of change with regard to the representation of women. This change both reflects and responds to key socio-cultural developments in the intervening decades as well as to new directions in cinema, historical research and politics of remembrance. The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women’s Studies.?.
出版日期Book 2017
關(guān)鍵詞representation of women in European Holocaust Films; European Holocaust Films; representation of women
版次1
doihttps://doi.org/10.1007/978-3-319-65061-6
isbn_softcover978-3-319-87940-6
isbn_ebook978-3-319-65061-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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978-3-319-87940-6The Editor(s) (if applicable) and The Author(s) 2017
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Newcomers to Holocaust Cinema: Women in Crisis, Second Generation, Sexual Abuse and Other Victims ofototype of the “beautiful soul”, these alternative portrayals reflect the complexity of women’s experiences, while breaking with the Holocaust canon that favours narratives which tend to conform to patterns of expected gendered behaviours.
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The Silenced Gender Paradigmt. It is organised around the theme of silence, emphasising the constructed nature of historical, memorial and academic writings and, along with it, the gaps left behind by the process of reconstructing the past. Using the metaphor of the “silent gender”, this chapter explores the ways in which the
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Idealised or Ignored: Female Victims of the Holocaustesearch. Firstly, it argues that the experiences of Jewish women have been framed by a narrow perspective that tends to idealise their behaviours while ignoring testimonies outside the norm. Secondly, it considers how the emphasis on the “double jeopardy” of Jewish women, meaning their double persec
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