Titlebook: Women And Italy; Essays On Gender Cu Zygmunt G. Barański (Head of the Department of Ita Book 1991 Palgrave Macmillan, a division of Macmil

injurious

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Mortar

輕而薄

: Film and Fascist Concern with Motherhoodlfare] (ONMI), on the occasion of its tenth anniversary. The film demonstrates the fascist regime’s concern with motherhood, and it reveals the contradictions that marked this concern, which was increasingly orchestrated throughout the thirties in a number of institutional initiatives and in a susta

vascular

奇怪

languid

Shrewd and Wanton Women: Adultery in the , and the ceitful adulteresses, or would-be adulteresses, found in such diverse works as ancient Egyptian and Indian tales, Greek legends, and the Bible, feature prominently in several of the anonymous framed collections of short stories, of Eastern origin, which circulated widely in Western Europe in the Mid

存在主義

? The Portrayal of Women in the Italian Renaissance Epic1),. will not simply be the examination of individual female characters, for reasons which I shall explain. Rather, it will be to examine what I term the ‘construction of the feminine’ within the complex of power-relations which are embedded in these two texts. The complex of power-relations, or ove

合乎習俗

CYN

‘For Better, for Worse’: Elements of Irony and Reversal in Moravia’s dez, for example, in his influential study of the modern Italian novel, has nothing but praise for Leda, who ‘in her sexual relationship with her husband … showed a shining and ineffable goodness, a humble and submissive sweetness’ (Fernandez, 1958, p. 91). Fernandez’s judgment is, however, flavoure

concise