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Titlebook: Women and Home in Cinema; Form, Feeling, Pract Louise Radinger Field Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu

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發(fā)表于 2025-3-21 17:05:17 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Women and Home in Cinema
副標題Form, Feeling, Pract
編輯Louise Radinger Field
視頻videohttp://file.papertrans.cn/1031/1030245/1030245.mp4
概述Draws insightful and relevant connections between the architecture of the house and the architecture of film.Brings fresh critical perspective to a cinematic trope through close analysis of cinema’s f
叢書名稱Palgrave Close Readings in Film and Television
圖書封面Titlebook: Women and Home in Cinema; Form, Feeling, Pract Louise Radinger Field Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu
描述.This book explores visions of home in cinema and the ways in which women inhabit the onscreen realm. Looking closely at a range of films made between 1936 and 2013, it examines how filmmakers reconfigure studio sets and real locations through the filmmaking process into mutable onscreen domains imbued with depth, metaphor, and expressivity..The book studies the films through the lens of four filmmaking processes in particular: découpage, mise-en-scène, sound and editing. Close analysis reveals how filmmakers use these cinematic ‘building blocks’ to shape onscreen worlds charged with emotion and animated by the warp and weft of psychic life..Images of home abound in the cinema, and women frequently find themselves at the core of both structures. Drawing on recent spatial and feminist enquiry, the book reviews the idea of home as a fixed and stable location and illustrates how the art of cinema is well equipped to explore home as an imaginary as well as a material realm..With its emphasis on film practice as a route into critical reflection, this book will be of interest to filmmakers, film theorists and those who simply want to understand more about how films work..
出版日期Book 2024
關(guān)鍵詞Sonic Space; Editing; Dispositif; Découpage; Mise-en-scène; Architecture; Gender; Space; Home
版次1
doihttps://doi.org/10.1007/978-3-031-40033-9
isbn_softcover978-3-031-40035-3
isbn_ebook978-3-031-40033-9Series ISSN 2634-6133 Series E-ISSN 2634-6141
issn_series 2634-6133
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Mise-en-scène: Creating Rooms, 2013). Both films portray women who are spatially and imaginatively enmeshed with and enraptured by their homes. While this situation is made clear in ways I shall explore, it is never explained. The directors organise their two architectures in ways which visually iterate something about the inter
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Book 2024 1936 and 2013, it examines how filmmakers reconfigure studio sets and real locations through the filmmaking process into mutable onscreen domains imbued with depth, metaphor, and expressivity..The book studies the films through the lens of four filmmaking processes in particular: découpage, mise-en
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,Découpage: Planning the House,a woman, her house, and the relationship between them, yet they are filmed in markedly different ways. Delving into why they are filmed in the way they are leads to a greater understanding of the films themselves.
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