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Titlebook: Women and Arthurian Literature; Seizing the Sword Marion Wynne-Davies Book 1996 Marion Wynne-Davies 1996 20th century.bibliography.Chaucer.

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書目名稱Women and Arthurian Literature
副標(biāo)題Seizing the Sword
編輯Marion Wynne-Davies
視頻videohttp://file.papertrans.cn/1031/1030222/1030222.mp4
圖書封面Titlebook: Women and Arthurian Literature; Seizing the Sword Marion Wynne-Davies Book 1996 Marion Wynne-Davies 1996 20th century.bibliography.Chaucer.
描述This is the first full-length study of the role of women in Arthurian literature. It covers writing from the medieval period, the Renaissance, the Victorian age and in contemporary fiction. Covering the key Arthurian texts, such as Chaucer‘s Wife of Bath‘s Tale, Sir Gawain and the Green Knight, Malory‘s Morte D‘a(chǎn)rthur, Spenser‘s The Faerie Queene and Tennyson‘s Idylls, it also investigates the less well-known works by women: Lady Charlotte Guest‘s Mabinogion, Julia Margaret Cameron‘s illustration to Tennyson‘s works and, finally, the Arthurian women writers of the twentieth century.
出版日期Book 1996
關(guān)鍵詞20th century; bibliography; Chaucer; English literature; fiction; Geoffrey Chaucer; literature; Medieval Li
版次1
doihttps://doi.org/10.1007/978-1-349-24453-9
isbn_softcover978-1-349-24455-3
isbn_ebook978-1-349-24453-9
copyrightMarion Wynne-Davies 1996
The information of publication is updating

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Introduction,i achub y ddafad. Pan y cyrroedd a siamp fe welodd agoriad i ogof crwn fawr. Yn yr ogof yr oedd y brenin Arthur a ei marchog yn cysgu, ac y byddyn yn aros i gysgu dan y galwed i achub Cymru. Dringodd y bugail yn ol ac rhedodd i’w gartref i ddweud wrth eu deulu beth yr oedd wedi e weld. Ond pan aetho
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,‘The elf-queene, with hir joly compaignye’: Chaucer’s ,yng’ is superior to that practised in the best-known centres of the weaving industry. Her income is sufficient to accommodate her desire to travel to Jerusalem on pilgrimage, as well as to dress stylishly, with elaborate headdresses, the finest leather shoes and scarlet stockings. She is supremely a
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,‘I will, Lord, while I can’: Lady Charlotte Guest’s ,,return for a moment to the ., which were discussed at the beginning of the previous chapter.. The following account will, no doubt, seem familiar in terms of the events it covers, but it will simultaneously appear strange because of the . in which they are recorded:
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,‘Women dressed in many hues’: Tennyson’s Stereoscopic Vision in the Idylls of Geraint and Enid,e party. Hallam Tennyson recounted the expedition in the well-known memoir of his father and tells how: ‘With the help of local schoolmasters in Wales my parents had learned some Welsh, and now read together the . (Welsh History), the . and .’ Hallam further notes that his father was working on one
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