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Titlebook: Women Writers and the Hero of Romance; Judith Wilt Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 fiction.n

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書目名稱Women Writers and the Hero of Romance
編輯Judith Wilt
視頻videohttp://file.papertrans.cn/1031/1030212/1030212.mp4
圖書封面Titlebook: Women Writers and the Hero of Romance;  Judith Wilt Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 fiction.n
描述Women Writers and the Hero of Romance studies the nature of the hero and his meaning for the female seeker, or quester, in romance fiction from Wuthering Heights to Fifty Shades of Grey. The book includes chapters on Wuthering Heights, Middlemarch, The Scarlet Pimpernel, The Sheik, and the novels of Ayn Rand and Dorothy Dunnett.
出版日期Book 2014
關(guān)鍵詞fiction; novel; women; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137426987
isbn_softcover978-1-349-49096-7
isbn_ebook978-1-137-42698-7
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
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Book 2014Women Writers and the Hero of Romance studies the nature of the hero and his meaning for the female seeker, or quester, in romance fiction from Wuthering Heights to Fifty Shades of Grey. The book includes chapters on Wuthering Heights, Middlemarch, The Scarlet Pimpernel, The Sheik, and the novels of Ayn Rand and Dorothy Dunnett.
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978-1-349-49096-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
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Fenton-Related Advanced Oxidation Processes (AOPs) for Water Treatment,r and wastewater treatment plants remain inefficient to eliminate these pollutants. Alternatively, advanced oxidation processes (AOPs) constitute an efficient and environment friendly techniques to remove these pollutants from water and wastewater effluents. These processes are based on in situ gene
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Conclusion,the Caribbean’s “economy is based on transnational capitalism” and bears the “hallmarks of a globalized, (post)modern society—in the form of transnational flows and diasporic populations, multi-ethnic communities and the hybridization and appropriation of cultural forms” (Pertierra and Horst 2009: 1
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