Titlebook: Women Filmmakers in Contemporary Hindi Cinema; Looking through thei Aysha Iqbal Viswamohan Book 2023 The Editor(s) (if applicable) and The

Grievous

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書目名稱Women Filmmakers in Contemporary Hindi Cinema網(wǎng)絡公開度學科排名




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書目名稱Women Filmmakers in Contemporary Hindi Cinema被引頻次學科排名




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書目名稱Women Filmmakers in Contemporary Hindi Cinema年度引用學科排名




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書目名稱Women Filmmakers in Contemporary Hindi Cinema讀者反饋學科排名

Panther

迫擊炮

Revisioning Family Drama: The Global Spaces of Romance and Science Fiction in Honey Irani’s Storiesn the cinematic imagination and the distribution of Hindi films in the new century. Honey Irani’s contribution to this turn in Hindi cinema in terms of the spatial imagination of . and the genre of romance in her subsequent films needs further exploration. So do her creations of female and male char

為寵愛

強制性

Farah Khan: Cinephilia, Nostalgia and Melancholia roles played by three key elements of her .: cinephilia, nostalgia and a deepening melancholia that underpins her signature style of dizzying, glossy cinema. These three elements cannot be de-linked from Khan’s gender or her religiously minoritised identity. Finally, the chapter deploys an intersec

Minikin

Parley

monologue

Mira Nair and the Cinema of Postcolonial Spectacleediated a space for the performance of the postcolonial nation, even as cultural otherness accrues an eminently saleable commodity value in the global market. This chapter seeks to frame Mira Nair’s films in the context of shifting cultural economies of cinema in the last three decades and how the s

Truculent

Figurations of Fallible Women: The Art and Act of Writing by Juhi Chaturvediweaving inter-textual connections, I argue that Chaturvedi’s interview and her films speak to each other, and alert us about a longer history of discreet interpositions shaped by women, and the ways in which women leak out as ‘a(chǎn)uthors’ of films. I enquire about the nature of film work, questions of

Dictation

Queer Counter-narratives, Feminist Authorship, and the Inclusive Storytelling of Gazal Dhaliwal films for major themes dealing with acceptance and awareness around sexuality, dissembling gender norms associated with femininity and masculinity, and their overarching message of inclusivity. To underscore the cinematic and cultural significance of Dhaliwal’s films, I take theoretical recourse to