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Titlebook: Women and Dance; Sylphs and Sirens Christy Adair Textbook 1992Latest edition Macmillan Publishers Limited 1992 dance.dancing.society.women

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發(fā)表于 2025-3-21 20:00:57 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Women and Dance
副標題Sylphs and Sirens
編輯Christy Adair
視頻videohttp://file.papertrans.cn/1031/1030150/1030150.mp4
叢書名稱Women in Society: A Feminist List
圖書封面Titlebook: Women and Dance; Sylphs and Sirens Christy Adair Textbook 1992Latest edition Macmillan Publishers Limited 1992 dance.dancing.society.women
描述A broad-ranging account of women‘s roles and experience in dance, which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create their own. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women‘s liberation.
出版日期Textbook 1992Latest edition
關鍵詞dance; dancing; society; women
版次1
doihttps://doi.org/10.1007/978-1-349-22374-9
copyrightMacmillan Publishers Limited 1992
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:17:39 | 只看該作者
Christy Adair m?glich oder erforderlich werden alle Versuche beispielhaft durchgerechnet. Dieses Buch eignet sich daher als Anleitung, Versuche selb- st?ndig zu konzipieren, durchzuführen und auszuwerten. Zu Beginn wird die Steuerung des Programms durch Menükarten beschrieben, um dann sofort zu den Experimenten
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發(fā)表于 2025-3-23 00:58:25 | 只看該作者
,Cultured bodies — the social construction of the body,ive attitudes which arise from these constructions. In Western society we are surrounded with paradoxical messages about the body. On the one hand we are urged to keep fit, be healthy and enjoy physicality, on the other hand physical education and dance are generally perceived to be of less value th
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發(fā)表于 2025-3-23 07:14:01 | 只看該作者
,We say no — postmodern dance,f what Banes has termed ‘a(chǎn)nalytic postmodern dance’. At the same time, an interest in non-Western dance and spiritual motivations for dance is defined by Banes as the ‘metaphor and metaphysical’ strands of postmodern dance. However, defining postmodern dance stylistically is problematic as this lead
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